E. サティ, 高橋悠治(ピアノ)'s ' "コ・クオが子どもの頃(母のしつけ)(1913)" was released on its scheduled release date, May 25, 2017. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. コ・クオが子どもの頃(母のしつけ)(1913)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in めぐる季節と散らし書き 子どもの音楽, so we believe that "コ・クオが子どもの頃(母のしつけ)(1913)" is a single. In terms of popularity, コ・クオが子どもの頃(母のしつけ)(1913) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of コ・クオが子どもの頃(母のしつけ)(1913) by E. サティ, 高橋悠治(ピアノ) is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missing Love Fantasy | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM | ||
| 「スポーツと気晴らし」より イタリアの喜劇 (Arr. for 2ES Cl, A Cl, B-flat Cl , 2Basset Hr & Bass Cl) | E. サティ, ザ・クラリネット・アンサンブル | B Major | 0 | 1B | 71 BPM | ||
| Humoresque | London Festival Symphony Orchestra | A Minor | 9 | 8A | 113 BPM | ||
| Culinary Harmony | Estoria | E Minor | 1 | 9A | 64 BPM | ||
| Your green harp | Jalaapeno | F Minor | 0 | 4A | 70 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | E Minor | 1 | 9A | 64 BPM | ||
| Jesus Of Nazareth | Alfred Newman | A♭ Minor | 2 | 1A | 77 BPM | ||
| Fauré: Après un rêve | Gabriel Fauré, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| Concerto for Clarinet and Saxophone, "Laurentian Reflections": II. Calm Lake | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | A♭ Major | 1 | 4B | 167 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E Minor | 1 | 9A | 64 BPM | ||
| Our Scenery | Evanor Lume | E Minor | 1 | 9A | 64 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| 青い孤島 | Arei | E♭ Major | 1 | 5B | 92 BPM | ||
| Menuet in G Minor | George Frideric Handel, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| 「スポーツと気晴らし」より 狩り (Arr. for 2ES Cl, A Cl, B-flat Cl , 2Basset Hr & Bass Cl) | E. サティ, ザ・クラリネット・アンサンブル | D Minor | 2 | 7A | 107 BPM | ||
| Midnight Friends | Attie Esterhuizen, Bob Mintzer, The Cape Town Philharmonic Orchestra | E Minor | 1 | 9A | 64 BPM | ||
| Solo fama | Juan Pablo Fernández Ramos | C Minor | 2 | 5A | 92 BPM | ||
| Afternoon in Prague | 村井秀清 | D Major | 1 | 10B | 87 BPM | ||
| Majesty | Philipp Alexander Geitmann | E Minor | 1 | 9A | 125 BPM | ||
| Cliffside Towns of Greece | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| おんな太閤記 - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | E Minor | 0 | 9A | 125 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Beneath | Lioen Marek | E Minor | 1 | 9A | 64 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 1 | 9A | 64 BPM |