On March 21, 2025, the song "Snow White: VII. Seven Dwarfs" was released by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Snow White: VII. Seven Dwarfs's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Litvinovsky, Nikolay Donskoy, Pavel Lyubomudrov, Metamorphose String Orchestra's "Litvinovsky: Snow White (Suite for String Orchestra and Flute)" album is number 7 out of 19. On top of that, Italy appears to be the country where this track was created. Snow White: VII. Seven Dwarfs is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Snow White: VII. Seven Dwarfs by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
| Le Corsaire: Act III - "10. Le Jardin Anime: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 0 | 1B | 70 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": III. Prestissimo | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 0 | 10B | 101 BPM | ||
| VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
| The Syncopated Clock | Leroy Anderson, WDR Rundfunkorchester Köln, Pinchas Steinberg | D Major | 4 | 10B | 120 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Variations on a Theme by Tchaikovsky, Op. 35a: Theme. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 54 BPM | ||
| 鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Concerto Grosso for Strings "Palladio": I. Allegretto | Karl Jenkins, Metamorphose String Orchestra, Pavel Lyubomudrov | D Minor | 4 | 7A | 95 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Hostblomsten (Harvest Flower), Op. 208 | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 2 | 12B | 82 BPM | ||
| No. 6 Lento: Oberösterreicherin | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 151 BPM | ||
| Paquita: Coda. Allegro con fuoco | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| La Polka Militaire | Patrick Doyle | G Major | 3 | 9B | 144 BPM | ||
| Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
| 4 Characteristic Waltzes, Op. 22: No. 1 Valse Bohemienne | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | E Minor | 1 | 9A | 81 BPM | ||
| Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Merry Widow Waltz | The Vienna National Opera Orchestra | A Major | 2 | 11B | 146 BPM | ||
| Squirrels (Flute and String Orchestra) | Herman Beeftink | D♭ Major | 6 | 3B | 124 BPM |