On January 23, 2026, the song "Kabir Amritwani" was released by Bhulan Tyagi, Rajstudio. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Kabir Amritwani and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Kabir Amritwani is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kabir Amritwani by Bhulan Tyagi, Rajstudio to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aye Meri Mohabbat Sun | Mohammed Aziz | C Major | 9 | 8B | 159 BPM | ||
| Ayodhya Ram Aaye Hain | Devendra Pathak | D♭ Major | 9 | 3B | 140 BPM | ||
| Tumne to Lautne Ka Irada Nahi Kiya | Altaf Raja | F♯ Minor | 10 | 11A | 98 BPM | ||
| Kahan Gaya Bedardi | Attaullah Khan | A♭ Major | 5 | 4B | 128 BPM | ||
| Magro Ke Rath Pe Aao He Narmada Kunwari | Manish Agrawal | B Major | 7 | 1B | 95 BPM | ||
| Hum Tere Shahar Mein Aaye Hai - Islamic | Neha Naaz | A♭ Minor | 7 | 1A | 158 BPM | ||
| Sada Suhagan Mata Tu Hai | Narendra Chanchal | D♭ Major | 7 | 3B | 117 BPM | ||
| Arji Hamari Marji Tumhri | Vijay Soni | G Minor | 8 | 6A | 90 BPM | ||
| Mati Ke Durga | Dukalu Yadav | B♭ Major | 9 | 6B | 120 BPM | ||
| Bhor Bhayi Din Chad Gaya | Anup Jalota, Chandra Kamal | D♭ Major | 10 | 3B | 87 BPM | ||
| Bada Hai Dayalu Bholenath | Manish Tiwari | F Minor | 7 | 4A | 149 BPM | ||
| Bari Door Teri Gokul Nagri | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Minor | 7 | 11A | 77 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Teri Jai Ho Gajanan | Devender Pathak | B♭ Major | 8 | 6B | 124 BPM | ||
| Amrit Barse Mata Rani | Narendra Chanchal | C Minor | 6 | 5A | 88 BPM | ||
| Mera Aapki Kripa Se Sab Kaam Ho Raha Hai | Paras Jain | F♯ Major | 7 | 2B | 80 BPM | ||
| Mor Nav Ke Godana Godale | Ratan Sabiha | F♯ Major | 7 | 2B | 133 BPM | ||
| Jago Jago Prabhu Ab To Jago | Sanjay Mittal | D Major | 8 | 10B | 86 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Baba Teri Kripa Se Saanse Meri Chalti Hai | Sanjay Mittal | F♯ Minor | 7 | 11A | 94 BPM | ||
| Meera Dekhe Baat Khadi | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Ram Ram Siya Ram Bhajale | Sarvesh Mishra | E Minor | 7 | 9A | 100 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
| Jay Jay Anjani Ke Lala | Hiresh Sinha, Jiteshwari Sinha | F Minor | 7 | 4A | 92 BPM |