"Telemann: Concerto for four violins - Grave" by Charivari Agréable had its release date on 2003. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charivari Agréable's "Modus Phantasticus" album is number 10 out of 20. In terms of popularity, Telemann: Concerto for four violins - Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Telemann: Concerto for four violins - Grave by Charivari Agréable to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
| Vesperae solennes de Confessore, K.339: II. Confitebor | Wolfgang Amadeus Mozart, Charivari Agréable, Christopher Borrett, Christopher Watson, Jeremy Kenyon, Laurence Kilsby, Benjamin Nicholas | G Major | 0 | 9B | 63 BPM | ||
| Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
| Sinfonia in A Major: II. Andante | Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Concerto in G Major, S. 215: IV. Allegro – 2/4 | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 162 BPM | ||
| Musique de table, Part III: Concerto for 2 horns in E-Flat Major, TWV 54:Es1: III. Grave | Georg Philipp Telemann, Gavin Edwards, Roger Montgomery, Orchestra of the Golden Age | G Minor | 4 | 6A | 120 BPM | ||
| Concerto grosso No. 2 in F Major, Op. 6: II. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | E Major | 3 | 12B | 74 BPM | ||
| Antonio de Cabezón: Diferencias sobre canto del Cavallero | Charivari Agréable | E Major | 1 | 12B | 87 BPM | ||
| Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
| Mystery Sonata No. 6 "Christ on the Mount of Olives": II. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | D Major | 0 | 10B | 77 BPM | ||
| Trio Sonata in E-Flat Major, Op. 8, No. 6: III. Presto | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 81 BPM | ||
| Concerto for flute, violin and cello in A major / La majeur / A-dur: II. Allegro | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | A♭ Major | 2 | 4B | 120 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | ||
| Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 1 | 2B | 82 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Sonata for Four Violins and Continuo: I. Allegro | William Croft, Charivari Agréable, Kah-Ming Ng | E♭ Major | 2 | 5B | 100 BPM | ||
| Concerto No 7 in C major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Major | 2 | 1B | 115 BPM | ||
| Les Dominos ou Les Folies Françaises (from Livre de Clavecin No. 3, Ordre 13): L'âme en peine | François Couperin, Charivari Agréable | D♭ Minor | 1 | 12A | 91 BPM | ||
| Ingressus in C Minor - Gloria patri | Johann Pachelbel, Charivari Agréable, The King's Singers, Kah-Ming Ng | B Minor | 0 | 10A | 74 BPM | ||
| The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Major | 2 | 1B | 120 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Concerto a 5 for Flute, Strings, and Continuo in G: 3. Allegro | Giuseppe Tartini, Severino Gazzelloni, I Musici | G Major | 1 | 9B | 103 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 1: I. Overture. Grave, Staccato – Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 108 BPM | ||
| Alcyone: Chaconne | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 125 BPM |