On January 17, 2017, the song "When Mother Was There" was released by アトラスサウンドチーム. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 110 in the song's album "PERSONA5 ORIGINAL SOUNDTRACK". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Japan. In terms of popularity, When Mother Was There is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With When Mother Was There by アトラスサウンドチーム having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beneath the Mask -rain- | Lyn | G Minor | 1 | 6A | 117 BPM | ||
| Your Sunset | TEKKEN Project, Bandai Namco Game Music | B♭ Minor | 10 | 3A | 152 BPM | ||
| The Tale of a Cruel World | DM DOKURO | C Minor | 1 | 5A | 132 BPM | ||
| Breath in the Future (feat. Lyn) | Lotus Juice, Lyn | B Minor | 8 | 10A | 110 BPM | ||
| FFVII REMAKE: Jessie's Theme | Masashi Hamauzu | C Minor | 5 | 5A | 106 BPM | ||
| Them's Fightin' Words | Mason Lindroth, Chuck Salamone | B♭ Minor | 4 | 3A | 83 BPM | ||
| Clock Tower Stage (From "Marvel vs. Capcom 2") | Arcade Player | D Major | 5 | 10B | 130 BPM | ||
| Prevailing Westerlies | Mason Lindroth, Chuck Salamone | B Major | 1 | 1B | 140 BPM | ||
| When The Moon's Reaching Out Stars -Reload- | Azumi Takahashi, アトラスサウンドチーム, ATLUS GAME MUSIC | D♭ Major | 9 | 3B | 90 BPM | ||
| Bramble Blast | Arcade Player | D Major | 7 | 10B | 164 BPM | ||
| A Woman | アトラスサウンドチーム | D Major | 4 | 10B | 140 BPM | ||
| MAZE OF LIFE | 川村ゆみ, 平田志穂子 | F♯ Minor | 8 | 11A | 175 BPM | ||
| 綾里真宵 ~逆転姉妹のテーマ 2001 | Masakazu Sugimori | D♭ Major | 5 | 3B | 104 BPM | ||
| Mass Destruction -P3fes Reload- | Lotus Juice, 高橋あず美, アトラスサウンドチーム, ATLUS GAME MUSIC | C Minor | 1 | 5A | 83 BPM | ||
| Lagoon City Zone Act2 | Tee Lopes | C Major | 10 | 8B | 102 BPM | ||
| New World Order | Masafumi Takada | F♯ Major | 10 | 2B | 108 BPM | ||
| Strikers | コーエーテクモサウンド | F Major | 5 | 7B | 100 BPM | ||
| Urban Chrome | Yoko Shimomura | A Minor | 9 | 8A | 126 BPM | ||
| Blues in Velvet Room | アトラスサウンドチーム | A Minor | 3 | 8A | 130 BPM | ||
| Aruku Sugata Ha Yuri No Hana (Yuzuriha Theme) | 来兎 | A Minor | 10 | 8A | 140 BPM | ||
| Demiurge II:Negai | コーエーテクモサウンド | F Major | 5 | 7B | 100 BPM | ||
| Copied City | 帆足圭吾 | F Minor | 7 | 4A | 88 BPM | ||
| New Days | アトラスサウンドチーム | C Minor | 5 | 5A | 146 BPM | ||
| ロジックとトリック | Masakazu Sugimori | A Minor | 9 | 8A | 110 BPM | ||
| Bright Lights, Big City | Takeshi Nakatsuka, Karen Aoki | G Minor | 7 | 6A | 127 BPM |