On March 23, 2013, the song "Aa Jao Aao Mhara Man Rasiya" was released by Renuka Mathur. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lachhu Maharaj's "Mharo Rupalo Rajasthan" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Aa Jao Aao Mhara Man Rasiya is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aa Jao Aao Mhara Man Rasiya by Renuka Mathur to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhukhe Bhagati Na Keeje | Hita Ambrish | A Minor | 8 | 8A | 84 BPM | ||
| El Khel Naadi Bewa | Supriya | A♭ Major | 5 | 4B | 80 BPM | ||
| लाल पीली अखियां | Khanak | F Major | 10 | 7B | 180 BPM | ||
| Petasaar Havange Aaj | Anuradha Nirala, Narendra Singh Negi, Meena Rana | F♯ Minor | 2 | 11A | 88 BPM | ||
| Garuda Vahana Narayana | Sri Sathya Sai Bhajans | D Major | 9 | 10B | 116 BPM | ||
| Nari Itni Bholi Bhali | Brijesh Shastri | E♭ Major | 8 | 5B | 143 BPM | ||
| Gurudev Se Nirala Koi Aur Nahi Re | Sant Shri Asharamji Bapu | B♭ Minor | 6 | 3A | 136 BPM | ||
| Mahara Ram Raghunath | Renuka Mathur, Pramila, Swati, Chorus | D♭ Major | 6 | 3B | 106 BPM | ||
| Sunderkand Aarti | Prem Prakash Dubey | G Minor | 7 | 6A | 96 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Mamosa Bai Ka Sewara - Sewara | Supriya | A♭ Minor | 7 | 1A | 162 BPM | ||
| Ma Esheche Moder Ki Ar | Ramakrishna Math, Swami Narendrananda | F Minor | 6 | 4A | 110 BPM | ||
| Vaishno Devi Aarti | Maaruti Mohataa | E♭ Major | 8 | 5B | 88 BPM | ||
| Gori Tum Jidna Se Gayi Mayke Bundeli Faag Rai | Ramesh Vishwakarma | A Major | 7 | 11B | 83 BPM | ||
| Ratan Siyalo Rajan | Seema Mishra | E Major | 4 | 12B | 105 BPM | ||
| Krishna Govind Gopal | Anil Hanslas | F Major | 6 | 7B | 146 BPM | ||
| Halbi Bhajan Karaiye Kanha | Yuvraj Pandey | F Minor | 10 | 4A | 90 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| ALI KE LAAL SE HAI SILSILA REFAI KA | Ar refai, Anis Nawab | B Minor | 6 | 10A | 100 BPM | ||
| Le Le Chal Sath Mein | Vishnu Ojha | F Major | 5 | 7B | 145 BPM | ||
| Woh Rat Sapnon Mein Aaye | Salma Agha | F Minor | 2 | 4A | 78 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Ram Naam Sukhdai Bhajan Karo Bhai | Rajkumar Vinayak | F♯ Major | 8 | 2B | 89 BPM | ||
| Peli Mulakat Mein Prit | Fauji Lalit Mohan Joshi, Maya Uapdhyay | D♭ Major | 6 | 3B | 74 BPM |