What is the BPM for 詩人の恋若者はおとめを愛した by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ）?

The tempo for 詩人の恋若者はおとめを愛した is 138 beats per a minute with a half-time of 69 BPM and a double-time of 276 BPM.

What is the music key for 詩人の恋若者はおとめを愛した by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ）?

The music key for 詩人の恋若者はおとめを愛した is F Major or a camelot key of 7B.

詩人の恋　若者はおとめを愛した by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ） Song Details

"詩人の恋　若者はおとめを愛した" by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ） had its release date on September 24, 2005. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in シューベルト：アルペジョーネ・ソナタ, so we believe that "詩人の恋　若者はおとめを愛した" is a single. Based on our statistics, 詩人の恋　若者はおとめを愛した's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 詩人の恋　若者はおとめを愛した by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ） is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Music Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -31.546 dB
Acousticness: 99%
Danceability: 15%
Energy: 1%
Instrumentalness: 98%
Liveness: 9%
Loudness: 47%
Speechiness: 4%
Valence: 4%

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