George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Tenebrae's ' "Messiah, HWV 56, Part II: No. 28, He Trusted In God" was released on its scheduled release date, October 9, 2007. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Messiah, HWV 56, Part II: No. 28, He Trusted In God's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 2 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Part II: No. 28, He Trusted In God is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Messiah, HWV 56, Part II: No. 28, He Trusted In God by George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Tenebrae to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato) | Nikolaus Harnoncourt | B♭ Major | 1 | 6B | 175 BPM | ||
| Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
| Arrival Of The Queen Of Sheba (Solomon) | Academy of St. Martin in the Fields, Iona Brown, Celia Nicklin, Rachel Ingleton | B♭ Major | 3 | 6B | 125 BPM | ||
| Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
| Weihnachtsoratorium (BWV 248): Ich will nur dir zu Ehren leben | Gewandhausorchester, Georg Christoph Biller, Christoph Genz | E Major | 1 | 12B | 94 BPM | ||
| Lobet den Herrn, alle Heiden BWV 230: Alleluja | Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | B Major | 5 | 1B | 75 BPM | ||
| Handel: Coronation Anthem No. 3, HWV 260 "The King Shall Rejoice": II. Exceeding Glad Shall He Be | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | A♭ Major | 1 | 4B | 124 BPM | ||
| Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
| Messiah, HWV 56: Part 1: But who may abide ( Air) | Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 90 BPM | ||
| Missa Brevis No. 7 In B Major St. Joannis De Deo - Agnus Dei | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | A♭ Major | 2 | 4B | 112 BPM | ||
| Comfort Ye, My People | The Choir and Orchestra of Pro Christe | B Major | 0 | 1B | 87 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani | D Major | 4 | 10B | 119 BPM | ||
| Concerto grosso in B flat, Op.6, No.11: 4. Andante Largo | Arcangelo Corelli, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 108 BPM | ||
| Mozart: Mass No. 15 in C Major, K. 317 "Coronation Mass": VI. Agnus Dei | Wolfgang Amadeus Mozart, Peter Neumann, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Patrizia Kwella, Ulla Groenewold, Collegium Cartusianum | F Major | 1 | 7B | 87 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
| Messe de minuit pour Noël, H. 9: VII. Agnus Dei | Marc-Antoine Charpentier, The Monteverdi Choir, English Baroque Soloists, Christophe Rousset, Ruairi Bowen, Florian Störtz, Samuel Boden | D♭ Minor | 2 | 12A | 97 BPM | ||
| Messiah, HWV 56: Part 1: Glory to God (Chorus) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 108 BPM | ||
| Messiah, HWV 56, Part II: No. 43, Thou Shalt Break Them | George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis | E♭ Major | 1 | 5B | 105 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: March | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Mass No.2 in G Major, D.167: VI. Agnus Dei | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Les Indes galantes, RCT 44: Forêts paisibles | Jean-Philippe Rameau, Unknown Artist | B♭ Major | 1 | 6B | 93 BPM | ||
| Messiah: Part 2, All we like sheep have gone astray (Chorus) | The Sixteen | E Major | 2 | 12B | 109 BPM |