"Messiah: Part 2, All we like sheep have gone astray (Chorus)" by The Sixteen had its release date on September 1, 2008. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 3 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah: Part 2, All we like sheep have gone astray (Chorus) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah: Part 2, All we like sheep have gone astray (Chorus) by The Sixteen to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat Quinti Toni | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 129 BPM | ||
| Gloria in D Major, RV 589: 1. Gloria in excelsis Deo | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| The Lord's My Shepherd I'll Not Want | Huddersfield Choral Society | G Major | 2 | 9B | 84 BPM | ||
| Angels From The Realms Of Glory | Traditional, The Sixteen, Harry Christophers | G Major | 1 | 9B | 81 BPM | ||
| Christmas Suite | Francois-Joseph Gossec, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 94 BPM | ||
| Quatre Motets, Op. 10: Ubi caritas et amor | Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom | E♭ Major | 0 | 5B | 91 BPM | ||
| Messiah: Part 2, Why do the nations so furiously rage together? (Air, Bass) | The Sixteen | F♯ Major | 4 | 2B | 142 BPM | ||
| Messiah, HWV 56, Pt. 2: No. 38, Aria. How Beautiful Are the Feet of Them That Preach (Soprano) | George Frideric Handel, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 88 BPM | ||
| Requiem: Pie Jesu | Andrew Lloyd Webber, Anthony Way, Barbara Bonney, Choir Of Uppingham School, Daniel Phillips, English Sinfonia, Neil Page | F♯ Major | 0 | 2B | 89 BPM | ||
| Coro Da Capo: Herscher Des Himmels, Erhöre Das Lallen | Trinitaris Kantori and Kammerorkester, Per Enevold | D Major | 2 | 10B | 150 BPM | ||
| A Spotless Rose | Herbert Howells, Gabrieli, Paul McCreesh | C Minor | 1 | 5A | 94 BPM | ||
| Christen, ätzet diesen Tag, BWV 63: Chorale. Christen, atzet diesen Tag (Chorus) | Johann Sebastian Bach, Claron McFadden, Bernarda Fink, Christoph Genz, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 4 | 1B | 95 BPM | ||
| O sacred head, sore wounded ('Passion Chorale': English Hymnal No. 102; O Haupt voll Blud und Wunden from the St Matthew Passion BWV244 Nos. 21 & 72) | Hans Leo Hassler, Choir of King's College, Cambridge, Sir David Willcocks | D Major | 1 | 10B | 177 BPM | ||
| A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge, Richard Marlow, Frances Kelly, Marie-Claire Brookshaw, Clare Wilkinson | B♭ Major | 0 | 6B | 97 BPM | ||
| Messiah HWV56, PART 1: There were shepherds abiding in the field (soprano recitative) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan | B Major | 0 | 1B | 85 BPM | ||
| Messiah, HWV 56: Part 1: For unto us a child is born (Chorus) | Nikolaus Harnoncourt | F♯ Major | 2 | 2B | 86 BPM | ||
| Messiah: Part 2, Behold the lamb of God (Chorus) | The Sixteen | F♯ Minor | 2 | 11A | 69 BPM | ||
| Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | B♭ Major | 1 | 6B | 144 BPM | ||
| Concerto Grosso In F Minor, Op. 1, No. 8 "Christmas Concerto": 1. Largo - Grave | Pietro Locatelli, Thomas Brandis, Emil Maas, Dietrich Gerhardt, Hans Priem, Ottomar Borwitzky, Wolfgang Meyer, Waldemar Döling, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 82 BPM | ||
| Messiah / Part 1: "And He Shall Purify The Sons Of Levi" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 177 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": II. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 87 BPM | ||
| Magnificat in D Major, BWV 243: Magnificat anima mea (Chorus, Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 5 | 10B | 96 BPM | ||
| Gaudete | Traditional, The Sixteen, Harry Christophers | D Minor | 5 | 7A | 124 BPM | ||
| Gloria: Gratias agimus tibi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 3 | 5B | 80 BPM |