On January 31, 1991, the song "Tillana" was released by M. L. Vasanthakumari, Radha Jayalakshmi, R. Vedavalli, Srividya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in An Evening Of Bharathanatyam by Jayadevva, K.N. Dhandayuthapani Pillai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Tillana is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tillana by M. L. Vasanthakumari, Radha Jayalakshmi, R. Vedavalli, Srividya is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thaamarai Malargal Aaru | Sirkazhi Govindarajan | D Major | 5 | 10B | 125 BPM | ||
| Srinivasa Thiru | Anuradha Krishnamoorthy | A Major | 8 | 11B | 169 BPM | ||
| Vak Rathundaya | V. Ramakrishna, S. P. Sailaja | A♭ Major | 4 | 4B | 75 BPM | ||
| Omkaara Roopa (From "Abhishekam") | Parupalli Ranganath | F♯ Major | 6 | 2B | 125 BPM | ||
| Madhuram Sivamanthram | Ghantasala, Tholeti Venkata Reddy | F Major | 7 | 7B | 179 BPM | ||
| Varasiddi Vinayaka Kalyanam | Vijayamani sarma, B.Ramana | C Minor | 4 | 5A | 100 BPM | ||
| Shyamala Dandakam | D. K. Pattammal | D♭ Major | 5 | 3B | 88 BPM | ||
| Thondhi Sariya | Mahanya Shree S | C Minor | 5 | 5A | 123 BPM | ||
| Eerelzhu Pathinaalu Logam | L. Krishnan, Rajkumar Bharathi, Dr. Ulundurpet Shanmugam | B Minor | 5 | 10A | 132 BPM | ||
| Dhinamani Vamsa - Harikambhoji - Adi | M. L. Vasanthakumari, A. Kanyakumari, Bhakthavalsalam, G Harishankar, E. M. Subramanyam | G Major | 5 | 9B | 100 BPM | ||
| Marugelara O Raghava | Nitya Santoshini | F♯ Minor | 4 | 11A | 91 BPM | ||
| Kalaiyodu Kalanthathu | M. L. Vasanthakumari | E Minor | 5 | 9A | 104 BPM | ||
| Panniru Vizhigalile | Sirkazhi Govindarajan | E♭ Minor | 9 | 2A | 97 BPM | ||
| Padyams - 2 | M. Sathyam, P. Susheela | D♭ Major | 4 | 3B | 50 BPM | ||
| Vitala Vitala / Dialogue : Laxmi Mahabhaktaru (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | C Minor | 6 | 5A | 101 BPM | ||
| Paahi Paahimaam | Ganapathi Manthiram 4 | D Major | 3 | 10B | 52 BPM | ||
| Kanmalai Meedu | Keyboard Suresh, Vyasar S Lawrance, Hebsy, Sis. Beena | C Minor | 6 | 5A | 151 BPM | ||
| Melluko Sringara | Priya Sisters | D♭ Major | 3 | 3B | 143 BPM | ||
| Or Irandu Perukulle | Eelam Music | D♭ Major | 2 | 3B | 143 BPM | ||
| Srehari Mohini | Mano | C Minor | 5 | 5A | 123 BPM | ||
| Thanga Thamarai | Soolamangalam Sisters | F Major | 4 | 7B | 83 BPM | ||
| Ambikae | Soolamangalam Sisters | B Minor | 4 | 10A | 159 BPM | ||
| Varuvaai | T. L. Maharajan | G Minor | 7 | 6A | 146 BPM | ||
| Pandharichya Wata | Mahesh Nilkanth Sonawane, Datta Madan | C Minor | 5 | 5A | 123 BPM | ||
| Njanapazhat Hai | K. B. Sundarambal, Kannadasan | G Major | 3 | 9B | 123 BPM |