On February 4, 1977, the song "Don't Stop - Sessions, Roughs & Outtakes; 2004 Remaster" was released by Fleetwood Mac. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 58 in the song's album "Rumours (Super Deluxe)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Don't Stop - Sessions, Roughs & Outtakes; 2004 Remaster is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Don't Stop - Sessions, Roughs & Outtakes; 2004 Remaster by Fleetwood Mac having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Saw the Light | Todd Rundgren | C Major | 8 | 8B | 120 BPM | ||
| Helpless | Crosby, Stills, Nash & Young | A Major | 6 | 11B | 143 BPM | ||
| You Can Call Me Al | Paul Simon | F Major | 8 | 7B | 128 BPM | ||
| Me and Bobby McGee | Janis Joplin | D Major | 5 | 10B | 93 BPM | ||
| Evil Woman | Electric Light Orchestra | A Minor | 6 | 8A | 120 BPM | ||
| Signed, Sealed, Delivered (I'm Yours) | Stevie Wonder | C Minor | 6 | 5A | 109 BPM | ||
| Everybody I Love You | Crosby, Stills, Nash & Young | A Major | 6 | 11B | 143 BPM | ||
| Scarlet Begonias - 2013 Remaster | Grateful Dead | E Major | 6 | 12B | 168 BPM | ||
| After the Glitter Fades - 2016 Remaster | Stevie Nicks | A Major | 6 | 11B | 138 BPM | ||
| Don't Stop - Sessions, Roughs & Outtakes; 2004 Remaster | Fleetwood Mac | A Major | 5 | 11B | 118 BPM | ||
| Strange Brew | Cream | D Major | 6 | 10B | 106 BPM | ||
| One Less Set of Footsteps | Jim Croce | C Major | 6 | 8B | 143 BPM | ||
| Girls on Film - 2010 Remaster | Duran Duran | G Major | 9 | 9B | 132 BPM | ||
| Sugar Marie | John Mellencamp | G Major | 7 | 9B | 125 BPM | ||
| Soul Kitchen | The Doors | A Major | 4 | 11B | 116 BPM | ||
| Blueberries For Breakfast | The Mamas & The Papas | B Major | 4 | 1B | 146 BPM | ||
| Bennie And The Jets - Remastered 2014 | Elton John | C Major | 7 | 8B | 133 BPM | ||
| From Now On | Supertramp | F Major | 7 | 7B | 122 BPM | ||
| Lovin' Mother Fo Ya | John Mellencamp | D Major | 10 | 10B | 134 BPM | ||
| Doesn't Anything Last - Early Demo; 2004 Remaster | Fleetwood Mac | F Major | 3 | 7B | 91 BPM | ||
| All Mixed Up | The Cars | B Minor | 7 | 10A | 122 BPM | ||
| Take Me with U | Prince | D Major | 6 | 10B | 135 BPM | ||
| Monolith - 2003 Remaster | T. Rex | C Major | 6 | 8B | 82 BPM | ||
| Mean To Me | Crowded House | A Major | 8 | 11B | 119 BPM | ||
| The Needle and the Damage Done | Neil Young | G Major | 2 | 9B | 105 BPM |