"Come What May" by Lesley Garrett, FILMharmonic Orchestra Prague, Philip Ellis had its release date on January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of When I Fall In Love by Lesley Garrett. The song's track number on the album is #7 out of 12 tracks. Based on our statistics, Come What May's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Come What May by Lesley Garrett, FILMharmonic Orchestra Prague, Philip Ellis has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Come What May being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| They Say He's A Gypsy | Lesley Garrett | E Major | 1 | 12B | 100 BPM | ||
| You Were My First Love | Lesley Garrett | F Major | 3 | 7B | 81 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 2, Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 135 BPM | ||
| The Flower Duet (From "Lakmé") | Katherine Jenkins, Kiri Te Kanawa, Philharmonia Orchestra, Anthony Inglis | B Major | 3 | 1B | 102 BPM | ||
| Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 98 BPM | ||
| Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
| La vie en rose | Édith Piaf, Louis Louiguy, Lesley Garrett, John Harle | E♭ Minor | 2 | 2A | 143 BPM | ||
| Faust: Ah! Je Ris De Me Moir | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| La traviata - Intermezzo | Peter Illenyi | D♭ Major | 2 | 3B | 126 BPM | ||
| Requiem: Pie Jesu | Andrew Lloyd Webber, Anna Netrebko, Andrew Swait, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | A♭ Major | 0 | 4B | 78 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 85 BPM | ||
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
| Sancta Maria - Cavalleria rusticana | Patricia Janečková, Orchester Viva Musica! | F Major | 3 | 7B | 84 BPM | ||
| E Lucevan Le Stelle | Jonathan Antoine | B Minor | 2 | 10A | 72 BPM | ||
| The Lord's Prayer | Lesley Garrett, Ivor Bolton, Britten Sinfonia | E♭ Major | 1 | 5B | 96 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka) | Antonín Dvořák, Eva Urbanová, Ondrej Lenárd, Prague Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
| Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
| Up Here With You | Dave Willetts, Lesley Garrett | E♭ Major | 3 | 5B | 99 BPM | ||
| The Marriage of Figaro - Duettino-Sull'aria (Shawshank Redemption) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
| Una Furtiva Lagrima | IZZY | A♭ Major | 2 | 4B | 90 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| The Pleasure Of Your Company | James Staddon, Lesley Garrett | F Major | 3 | 7B | 116 BPM |