"Requiem: Pie Jesu" by Andrew Lloyd Webber, Anna Netrebko, Andrew Swait, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir had its release date on January 1, 2008. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Souvenirs". In this album, this song's track order is #14. Requiem: Pie Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Pie Jesu by Andrew Lloyd Webber, Anna Netrebko, Andrew Swait, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
| Ombra mai fu | Andreas Scholl | E Major | 2 | 12B | 112 BPM | ||
| The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
| Symphonia et Ordo virtutum: O Euchari, in leta via | Hildegard von Bingen, Elin Manahan Thomas | D♭ Minor | 0 | 12A | 82 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| Stabat Mater, P. 77: XII. Duet. Quando corpus morietur – Amen - Live | Giovanni Battista Pergolesi, Anna Netrebko, Magdalena Kožená, Il Giardino Armonico, Giovanni Antonini | B♭ Minor | 1 | 3A | 135 BPM | ||
| Stabat Mater, P. 77: VIII. Duet. Fac, ut ardeat cor meum - Live | Giovanni Battista Pergolesi, Anna Netrebko, Magdalena Kožená, Il Giardino Armonico, Giovanni Antonini | B♭ Minor | 1 | 3A | 135 BPM | ||
| Vesperae Solennes De Confessore, K. 339: Laudate Dominum | Kosice Teachers' Choir, Camerata Cassovia, Priti Coles, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 81 BPM | ||
| The Seal Lullaby | Eric Whitacre, Anna Lapwood, The Pembroke College Girls’ Choir, Owen Saldanha | D♭ Major | 0 | 3B | 80 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
| Carmina Burana / III. Cour d'amours: "In trutina" - Live from the Forbidden City | Carl Orff, Aida Garifullina, Shanghai Symphony Orchestra, Long Yu | D♭ Major | 0 | 3B | 93 BPM | ||
| Nabucco: Act III - "Va pensiero, sull'ali dorata" | Berlin State Opera Chorus, Staatskapelle Berlin, Otmar Suitner | D♭ Major | 1 | 3B | 140 BPM | ||
| Even When He Is Silent | Kim André Arnesen, Chamber Choir of London, Dominic Ellis-Peckham | B Major | 1 | 1B | 78 BPM | ||
| 3 Khora: No. 2, Lyubov Svyataya (3 Choruses: Sacred Love) | Georgy Sviridov, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | D Major | 2 | 10B | 83 BPM | ||
| Serse, HWV 40, Act I Scene 1: Arioso "Ombra mai fù" | George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 107 BPM | ||
| Cinema Paradiso (Se) | Katherine Jenkins, The Prague Symphonia, Anthony Ingliss | A♭ Major | 4 | 4B | 89 BPM | ||
| Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova, Ferhan & Ferzan Önder, Martin Grubinger | D Major | 0 | 10B | 80 BPM | ||
| Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
| Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
| The Flower Duet (From "Lakmé") | Katherine Jenkins, Kiri Te Kanawa, Philharmonia Orchestra, Anthony Inglis | B Major | 3 | 1B | 102 BPM | ||
| Holy Spirit Mass: Creator Spirit: Kyrie | Kim André Arnesen, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | D Minor | 1 | 7A | 137 BPM | ||
| La città eterna | Andrea Guerra | C Minor | 2 | 5A | 137 BPM | ||
| Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
| Sanctus - Vocal Version Of Elgar’s "Nimrod" From The Enigma Variations, Op. 36 | Katherine Jenkins | B♭ Major | 3 | 6B | 80 BPM | ||
| Prayer of St Teresa | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 88 BPM |