崎元 仁's 'In Pursuit' had a release date set for 1997. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. In Pursuit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 55 out of 71 in FINAL FANTASY TACTICS Original Soundtrack by 崎元 仁, 岩田 匡治. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, In Pursuit's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of In Pursuit by 崎元 仁 is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Contest Of Aeons | Junya Nakano | D Major | 10 | 10B | 96 BPM | ||
| Tension | Jay Barbeau, Daybreak Audio Team | B♭ Minor | 4 | 3A | 129 BPM | ||
| Alma's Theme | 崎元 仁 | B Minor | 3 | 10A | 80 BPM | ||
| Blood on the Keys | 桜庭 統 | D Minor | 1 | 7A | 64 BPM | ||
| SLAUGHTER HOUR - (AREA7) | ZUNTATA | D♭ Major | 9 | 3B | 164 BPM | ||
| 「Dungeon - arrange -」 from FINAL FANTASY I | SQUARE ENIX MUSIC | C Minor | 8 | 5A | 160 BPM | ||
| Horace Highwater | Michael Lementi | G Minor | 3 | 6A | 248 BPM | ||
| Mithra | Kumi Tanioka | B Major | 9 | 1B | 127 BPM | ||
| Dycedarg's Theme | 崎元 仁 | B Minor | 3 | 10A | 80 BPM | ||
| Healing Winds | PROJECT SOUL, Bandai Namco Game Music | G Minor | 1 | 6A | 114 BPM | ||
| Fast Track | Alexander Brandon | F Minor | 4 | 4A | 130 BPM | ||
| Like Gods | 2XSTATE | D♭ Major | 2 | 3B | 100 BPM | ||
| escape from enemy base | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | C Major | 8 | 8B | 130 BPM | ||
| Augusta Tower | 鈴木光人 | F Minor | 5 | 4A | 180 BPM | ||
| Dungeon and Waterfall | Sean Schafianski | D Minor | 5 | 7A | 120 BPM | ||
| Ascent | 崎元仁 | A Major | 3 | 11B | 130 BPM | ||
| Choose Your Combatants | 岩田 匡治 | B Minor | 3 | 10A | 80 BPM | ||
| Creep | Junya Nakano | D♭ Minor | 4 | 12A | 192 BPM | ||
| GEOMETRIC CITY - (AREA1) | ZUNTATA | A Major | 8 | 11B | 148 BPM | ||
| 「Trisection - arrange -」 from FINAL FANTASY TACTICS | 石元丈晴, 佐藤賢太郎 | C Major | 9 | 8B | 160 BPM | ||
| Dangerous Operation -Second Opinion- | アトラスサウンドチーム | D♭ Minor | 5 | 12A | 134 BPM | ||
| Clutches From the Hive | Michiel van den Bos | E Minor | 2 | 9A | 83 BPM | ||
| 双天都市 ブレグ・エポナ | 福田考代 | F Minor | 5 | 4A | 140 BPM | ||
| Luca | 仲野順也 | D♭ Major | 7 | 3B | 146 BPM | ||
| SELF | ZUNTATA | D♭ Minor | 6 | 12A | 90 BPM |