Camerata Romeu's ' "Pizzicato" was released on its scheduled release date, October 29, 2025. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi en La Habana - Con Acento Latino feat. Andreas Neufeld by Camerata Romeu. The song's track number on the album is #2 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Pizzicato is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Pizzicato by Camerata Romeu has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pizzicato being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danzón no. 4 | Benjamin Juarez Echenique - Conductor | C Minor | 2 | 5A | 121 BPM | ||
| El Conde Sol: A) Danza de Sevilla B) Lamento C) Danza Popular de León - Remastered | Orquesta Popular de Madrid de la Orqanización Nacional de Ciegos, Rafael Rodriguez Albert | D Major | 1 | 10B | 112 BPM | ||
| Samson & Dalila, Op. 47: Prélude (Arr. for String Quartet by Eric Mouret) | Camille Saint-Saëns, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Épitaphe de Jean Harlow | Charles Koechlin, Trio Vivo | F Minor | 1 | 4A | 71 BPM | ||
| Metro Chabacano | Camerata Romeu | G Minor | 2 | 6A | 151 BPM | ||
| Catch-all procedures | Wim Mertens | E Major | 1 | 12B | 94 BPM | ||
| Suite for Alto Saxophone and Piano, Op. 55: III. Presto | Fazıl Say, Manuel Teles, Alexandra Tchernakova | F♯ Major | 3 | 2B | 152 BPM | ||
| Serenata Cubana: II. Andante - Live, Basílica San Francisco de Asís, 2020 | Harold Gramatges, Zenaida Romeu, Camerata Romeu | A♭ Major | 2 | 4B | 86 BPM | ||
| Waltz | Balanescu Quartet | D Major | 2 | 10B | 145 BPM | ||
| III | Sammy Weissberg, Samuel Weissberg | B♭ Minor | 1 | 3A | 106 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Arr. Janoska Ensemble): II. Adagio cantabile | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
| Danzón No. 2 (1994) | Arturo Márquez, Alondra de la Parra, Philharmonic Orchestra of the Americas | D Minor | 3 | 7A | 81 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 2, Invierno Porteño [Winter] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 97 BPM | ||
| Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Luca Sacher | E Minor | 0 | 9A | 140 BPM | ||
| Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) | Darius Milhaud, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 99 BPM | ||
| El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
| 3.Fantasioso (3 Valses Líricos) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
| Intermezzo de Atzimba (1900) | Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 1 | 9B | 61 BPM | ||
| Sertões Veredas VI | Camerata Romeu, Zenaida Romeu | C Major | 2 | 8B | 75 BPM | ||
| Oblivion, per solista e orchestra d'archi | Salvatore Accardo, Orchestra Da Camera Italiana | C Minor | 1 | 5A | 90 BPM | ||
| Suite castellana: III. Danza | Federico Moreno Torroba, Vicente Coves | E Major | 0 | 12B | 103 BPM | ||
| Cinema Suite: I. Lolita | Ennio Morricone, Marco Serino, Leandro Piccioni | E Minor | 0 | 9A | 91 BPM | ||
| Bridge - Oltrepassare II | Pietro Roffi | B♭ Minor | 1 | 3A | 106 BPM | ||
| Suite caribeña: El gran tumbao | Roberto Valera, Camerata Romeu, Zenaida Romeu | B♭ Major | 7 | 6B | 119 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM |