Intermezzo de Atzimba (1900) by Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas Song Details

"Intermezzo de Atzimba (1900)" by Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas had its release date on July 30, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alondra de la Parra's "My Mexican Soul" album is number 3 out of 15. On top of that, United States appears to be the country where this track was created. Intermezzo de Atzimba (1900) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Intermezzo de Atzimba (1900) by Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -17.829 dB
Acousticness: 98%
Danceability: 9%
Energy: 13%
Instrumentalness: 74%
Liveness: 10%
Loudness: 70%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Emperor Waltz	Johann Sebastian Strauss, London Festival Orchestra	C Major	2	8B	67 BPM
Berceuse	Ricardo Castro, Gustavo Rivero Weber	F Major	1	7B	124 BPM
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Samson et Dalila, Op. 47: Mon c?ur s'ouvre à ta voix - Instrumental	Camille Saint-Saëns, Andre Kostelanetz, New York Philharmonic	D Major	2	10B	68 BPM
Impromptu No. 2, Op. 28, en Forme de Polke	Ricardo Castro, Armando Merino	A Minor	3	8A	83 BPM
Suite de Caballos de Vapor (Horse Power Suite): III. El Tropico [the Tropics]	Carlos Chávez, Simón Bolívar Symphony Orchestra Of Venezuela, Eduardo Mata	A Major	2	11B	89 BPM
Carmen Suite No. 1: I. Aragonaise	Georges Bizet, Slovak Philharmonic, Anthony Bramall	D Minor	1	7A	112 BPM
La Adelita	Gilberto Parra Paz, Orquesta Filarmónica de la Ciudad de México, Fernando Lozano	C Major	1	8B	92 BPM
Mythology Symphony: II. Penelope Waits	Stacy Garrop, CCPA Symphony Orchestra, Alondra de la Parra	G Minor	0	6A	69 BPM
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra)	Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields	D Major	2	10B	102 BPM
Samson et Dalila, Op. 47, R. 288: Bacchanale	Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra	A Minor	1	8A	122 BPM
Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude	Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル	F Major	1	7B	90 BPM
Shostakovich: Romance from The Gadfly	Dmitri Shostakovich, Daniel Lozakovich, Mikhail Pletnev	C Major	1	8B	107 BPM
Dance: III. Third Movement	Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman	F Major	3	7B	116 BPM
Wood Notes: I. Singing River: Moderately slow	William Grant Still, Fort Smith Symphony, John Jeter	F Minor	0	4A	112 BPM
Dunkelwelt Untersberg, 7. Sinfonie: III. Im Dunkel der Spiegelwelt	Enjott Schneider, Tonkünstler-Orchester, Alondra de la Parra	E Minor	0	9A	91 BPM
Gli uccelli (The Birds), P. 154: I. Preludio. Allegro moderato	Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio	A Major	1	11B	73 BPM