Johann Sebastian Bach, Turtle Island String Quartet & Modern Mandolin Quartet, Modern Mandolin Quartet's ' "Gavotte From Partita #3 In E Major" was released on its scheduled release date, September 23, 1994. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Bach Variations". In this album, this song's track order is #12. Based on our statistics, Gavotte From Partita #3 In E Major's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gavotte From Partita #3 In E Major by Johann Sebastian Bach, Turtle Island String Quartet & Modern Mandolin Quartet, Modern Mandolin Quartet having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 96 BPM | ||
| Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 103 BPM | ||
| Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
| Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
| Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
| Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
| Coffee Cantata, BWV 211: Aria: Ei! wie schmecht der Coffee susse | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | B♭ Minor | 0 | 3A | 69 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Violin Concerto In G Minor BWV 1056: Andante | Camerata Antonio Luco, Johann Sebastian Bach, Emmy Verhey | F Major | 3 | 7B | 113 BPM | ||
| Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Saint John Passion, BWV 245, Pt. I: "Herr, unser Herrscher" (Chorus) | Johann Sebastian Bach, Monica Huggett, Charles Daniels, Shannon Mercer, Matthew White, Jacques-Olivier Chartier, Tyler Duncan, Joshua Hopkins, Cappella Romana, Portland Baroque Orchestra | F♯ Minor | 3 | 11A | 79 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Partita No. 1 In B Flat Major, B Dur, BWV 825: Praeludium | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | D♭ Minor | 3 | 12A | 100 BPM | ||
| Sicilienne, BWV 1031 | Valentina Lisitsa | D Minor | 2 | 7A | 73 BPM | ||
| Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM |