Rolfe Kent's 'John The Waiter / Sack's Beating' had a release date set for January 24, 2006. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. John The Waiter / Sack's Beating's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wedding Crashers (The Score) by Rolfe Kent. The song's track number on the album is #14 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, John The Waiter / Sack's Beating's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since John The Waiter / Sack's Beating by Rolfe Kent has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With John The Waiter / Sack's Beating being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Treasure | Alberto Iglesias | C Major | 3 | 8B | 140 BPM | ||
| Freddie's World | Jeff Beal | A Major | 2 | 11B | 148 BPM | ||
| Better Call Saul End Credits | Dave Porter | A Major | 7 | 11B | 152 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| Two Ways Out | Éric Serra | D Minor | 1 | 7A | 62 BPM | ||
| You Don't Know Me | Ottmar Liebert + Luna Negra | E Major | 2 | 12B | 132 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| The Catch | Christopher Young | A♭ Minor | 1 | 1A | 123 BPM | ||
| Good Evening, Mr. Hunt | Joe Kraemer | G Minor | 0 | 6A | 96 BPM | ||
| Party Trick | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Clouds | George Fenton | F Minor | 3 | 4A | 119 BPM | ||
| Main Title/The Immigrant | Nino Rota, Carmine Coppola | G Major | 2 | 9B | 67 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| The Saboteur Theme - Piano Version | EA Games Soundtrack | C Major | 5 | 8B | 110 BPM | ||
| Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | D♭ Major | 1 | 3B | 116 BPM | ||
| Cobel At Lumon | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| George Smiley | Alberto Iglesias | F Minor | 2 | 4A | 73 BPM | ||
| Postlude of Conclave | Volker Bertelmann | D Minor | 5 | 7A | 150 BPM | ||
| Play The Game - 50th Anniversary / Remastered 2025 | Jack Nitzsche | C Major | 3 | 8B | 97 BPM | ||
| The Godfather Finale | Nino Rota, Carlo Savina | F Minor | 3 | 4A | 95 BPM | ||
| 27 Years Later | Benjamin Wallfisch | D Minor | 2 | 7A | 82 BPM | ||
| Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM | ||
| Wedding Crashing | Rolfe Kent | D♭ Major | 5 | 3B | 105 BPM | ||
| Abstract Night | Umberto Smerilli | B♭ Minor | 1 | 3A | 140 BPM |