アグスティン・ピオ・バリオス, Daisuke Suzuki's ' "ディオニシオ・アグアド原曲:レッスン40による二重奏曲" was released on its scheduled release date, July 12, 2017. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 森に夢見る~大聖堂~バリオス練習曲集, so we believe that "ディオニシオ・アグアド原曲:レッスン40による二重奏曲" is a single. ディオニシオ・アグアド原曲:レッスン40による二重奏曲 is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of ディオニシオ・アグアド原曲:レッスン40による二重奏曲 by アグスティン・ピオ・バリオス, Daisuke Suzuki is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preludio de Adiós | Luis Sierra | A Minor | 1 | 8A | 111 BPM | ||
| Le corde vuote | Maurizio Baudino | A Minor | 1 | 8A | 80 BPM | ||
| Diary of Love | Gian Marco Ciampa | G Major | 0 | 9B | 79 BPM | ||
| Vals Andreina | Antonio Lauro, Emilio Montoya | E Minor | 2 | 9A | 85 BPM | ||
| Preludios Epigramáticos: No. 4, Rié, que todo rié. que todo es madre lev | Leo Brouwer, Gerard Cousins | E Major | 2 | 12B | 123 BPM | ||
| Homenaje, 'Le Tombeau de Claude Debussy' | Manuel de Falla, Simon Dinnigan | A Minor | 0 | 8A | 84 BPM | ||
| Purcell: Minuet in A Minor, Z. 649 (Arr. for Guitar) | Henry Purcell, Konrad Ragossnig | C Major | 2 | 8B | 161 BPM | ||
| Guitar Sonata in D Major: II. Andante religioso | Adam Darr, Daniel Marx | D Major | 0 | 10B | 103 BPM | ||
| Suite No. 3 in G Major (Orig. C Major), BWV 1009: III. Courante | Michael Nicolella | G Major | 3 | 9B | 92 BPM | ||
| Summer solstice | Symphony | A Minor | 2 | 8A | 96 BPM | ||
| Dreams | Sérgio Assad, Elena Ortega | G Minor | 0 | 6A | 102 BPM | ||
| Sevillana | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 1 | 8A | 175 BPM | ||
| Sonate, Op. 61: I. allegro | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 73 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: V. Gavottes 1 & 2 (Arr. for Guitar) | Robert Secrist | A Minor | 1 | 8A | 129 BPM | ||
| Quince Estudios Venezolanos: No. 3, Cancion Paramena | Efrain Silva, Ivan Petričević | D Major | 1 | 10B | 134 BPM | ||
| ナポレオン・コスト原曲:練習曲作品38-22 - バリオス ヴァージョン | アグスティン・ピオ・バリオス, Daisuke Suzuki | A Major | 2 | 11B | 83 BPM | ||
| 26 Ricercares: No. 23, Ricercare del undecimo tono per B molle | Vincenzo Galilei, John Oeth | D Minor | 0 | 7A | 72 BPM | ||
| Jota - Remastered | Gonzalo Ortega | F Minor | 5 | 4A | 128 BPM | ||
| ディオニシオ・アグアド原曲:レッスン40による二重奏曲 | アグスティン・ピオ・バリオス, Daisuke Suzuki | A Major | 3 | 11B | 74 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: II. Allemande (Arr. for Guitar) | Robert Secrist | D Major | 1 | 10B | 117 BPM | ||
| Despuntando el vicio | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| 2Eme Mvt Andantino (Elogio De La Guitarra) | Unknown, Angel Romero | D Major | 2 | 10B | 153 BPM | ||
| Adio Querida | Flavio Cucchi | A Minor | 2 | 8A | 131 BPM | ||
| 5 Hommages français: No. 5, Hommage à Ravel. Comme un hommage | Arnaud Dumond, Marko Topchii | G Major | 0 | 9B | 141 BPM |