Ruth Etting's 'Don't tell her what's happened to me' had a release date set for 1931. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Ruth Etting, The Singing Queen Vol 1". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Don't tell her what's happened to me is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don't tell her what's happened to me by Ruth Etting having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'Rethe Cream In My Coffee | Jack Hylton | E♭ Major | 3 | 5B | 202 BPM | ||
| Lonesome and Sorry | Ruth Etting | D Major | 1 | 10B | 159 BPM | ||
| Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM | ||
| These Foolish Things | Carroll Gibbons, The Savoy Hotel Orpheans | A♭ Major | 3 | 4B | 130 BPM | ||
| Exactly Like You | Roger Wolfe Kahn | G Major | 4 | 9B | 176 BPM | ||
| Wasting My Love on You | Annette Hanshaw | B♭ Minor | 1 | 3A | 52 BPM | ||
| A Place Called Home (Recorded 1929) | Ruth Etting | A♭ Major | 2 | 4B | 127 BPM | ||
| Alone with My Dreams | Jack Buchanan | G Major | 2 | 9B | 127 BPM | ||
| Let's Misbehave | Cole Porter, Irving Aaronson Commanders | G Major | 4 | 9B | 207 BPM | ||
| Blue River | Bix Beiderbecke | E♭ Major | 2 | 5B | 74 BPM | ||
| Ain't She Sweet | Gene Austin, Nathaniel Shikret Orchestra | D Major | 1 | 10B | 159 BPM | ||
| It All Depends On You | Annette Hanshaw | B♭ Major | 2 | 6B | 95 BPM | ||
| Becha' I Getcha' | Kay Starr | A♭ Major | 1 | 4B | 136 BPM | ||
| I've Got a Feeling I'm Falling | Annette Hanshaw | G Major | 3 | 9B | 85 BPM | ||
| This Is a Changing World | Noel Coward | A Major | 0 | 11B | 45 BPM | ||
| I Want a Good Man | Annette Hanshaw | E Major | 2 | 12B | 82 BPM | ||
| That's Why I Love You | Annette Hanshaw | F♯ Major | 1 | 2B | 80 BPM | ||
| Find Me a Primitive Man (feat. the Colonial Club Orchestra) | Libby Holman, The Colonial Club Orchestra | E♭ Major | 2 | 5B | 165 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| Crazy Rhythm | Roger Wolfe Kahn & His Orchestra | A♭ Major | 3 | 4B | 93 BPM | ||
| He's So Unusual | Helen Kane | D Major | 1 | 10B | 159 BPM | ||
| I Double Dare You | Larry Clinton, Bea Wain | D Major | 1 | 10B | 159 BPM | ||
| I Want to Be Bad - Alternate Version | Helen Kane | D Major | 1 | 10B | 159 BPM | ||
| Melancholy Lullaby | Benny Carter | C Minor | 1 | 5A | 75 BPM | ||
| The House Is Haunted | Russ Columbo | E♭ Minor | 2 | 2A | 82 BPM |