On January 9, 1936, the song "I Double Dare You" was released by Larry Clinton, Bea Wain. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. I Double Dare You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Confession". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, I Double Dare You is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Double Dare You by Larry Clinton, Bea Wain having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | B♭ Major | 1 | 6B | 100 BPM | ||
| Mean To Me | The Dorsey Brothers' Orchestra | D Major | 2 | 10B | 148 BPM | ||
| Stockholm Stomp | Fletcher Henderson | B♭ Major | 1 | 6B | 100 BPM | ||
| Deep Purple | Bea Wain, Larry Clinton Orchestra | B♭ Major | 1 | 6B | 91 BPM | ||
| I Ain't Talkin Though It's All over Town | Pearl Bailey | F Minor | 1 | 4A | 106 BPM | ||
| Jumpin' on Sugar Hill | Helen Humes | C Major | 4 | 8B | 118 BPM | ||
| You Gave Me The Go-By (12-01-39) | Hazel Scott | D Minor | 3 | 7A | 171 BPM | ||
| Loving You the Way I Do | John Vincent's Californians | C Major | 3 | 8B | 84 BPM | ||
| I Dreamt I Dwelt In Marble Halls | Larry Clinton | G Major | 1 | 9B | 179 BPM | ||
| I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
| Cruising Down the River | Frankie Carle, His Orchestra, voc. Marjorie Hughes | B♭ Major | 1 | 6B | 100 BPM | ||
| There's a Wah Wah Girl in Agua Caliente | Isham Jones & His Orchestra | G Major | 2 | 9B | 102 BPM | ||
| Opus NO. 1 | Gene Krupa & His Orchestra | F Major | 1 | 7B | 115 BPM | ||
| Twentieth Century Blues (Cavalcade) | Noel Coward | A♭ Major | 1 | 4B | 114 BPM | ||
| Drop Me Off In Harlem | Charlie Barnet, Charlie Barnet & His Orchestra | G Minor | 6 | 6A | 149 BPM | ||
| I Got Rhythm | Ethel Waters | B♭ Major | 1 | 6B | 100 BPM | ||
| Cry, Baby, Cry | Larry Clinton, Bea Wain | F Major | 3 | 7B | 97 BPM | ||
| On a Slow Boat to China | Kay Kyser & His Orchestra, Harry Babbitt, Gloria Wood | B♭ Major | 1 | 6B | 100 BPM | ||
| P.S. - I Love You | Rudy Vallee and His Connecticut Yankees | B♭ Major | 1 | 6B | 100 BPM | ||
| (Hep-Hep!) The Jumpin' Jive | Cab Calloway | G Major | 4 | 9B | 118 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| I Can't Believe That You're in Love With Me | Jack Payne | G Major | 3 | 9B | 124 BPM | ||
| Green Eyes | Jimmy Dorsey, Claire Hogan, Kenny Martin | G Major | 1 | 9B | 119 BPM | ||
| Zing! Went The Strings Of My Heart | Lew Stone & His Band | A Minor | 2 | 8A | 93 BPM |