On December 6, 2011, the song "Charleston Ball" was released by The Cotton Club Orchestra. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Charleston Ball's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The Best of Charleston". In this album, this song's track order is #7. In terms of popularity, Charleston Ball is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Charleston Ball by The Cotton Club Orchestra having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Candlelight Winter Lounge | Oldies Playing | E♭ Major | 0 | 5B | 68 BPM | ||
| Red Roses for a Blue Lady | Roy Brodsky, Sid Tepper, Don Rodney, Guy Lombardo Royal Canadians, Guy Lombardo | D Minor | 2 | 7A | 123 BPM | ||
| As Time Goes By | Rudy Vallee | D♭ Major | 1 | 3B | 72 BPM | ||
| Harlem Shout | Jimmie Lunceford & His Orchestra | C Minor | 4 | 5A | 109 BPM | ||
| What'cha Gonna Do When There Ain't No Jazz? (Recorded May 1920) | Esther Walker | F Major | 1 | 7B | 128 BPM | ||
| Stop ! | Aimé Barelli | G Minor | 5 | 6A | 97 BPM | ||
| I Wanna Be Loved By You | Annette Hanshaw | G Major | 1 | 9B | 73 BPM | ||
| Blues from the Everglades | Thomas Morris And His Seven Hot Babies | B Major | 2 | 1B | 116 BPM | ||
| Charleston Ball | The Cotton Club Orchestra | G Major | 5 | 9B | 100 BPM | ||
| Turn On The Heat | Horace Heidt and His Clifornians | F Minor | 2 | 4A | 99 BPM | ||
| By the River Sainte Marie - Remastered | Guy Lombardo | F Major | 4 | 7B | 118 BPM | ||
| Kitty from Kansas City | Rudy Vallee | D Major | 4 | 10B | 133 BPM | ||
| Shipyard Ramble | Erskine Hawkins | A Minor | 1 | 8A | 159 BPM | ||
| That Da Da Strain | Mamie Smith | A Minor | 1 | 8A | 159 BPM | ||
| Streamline - alternate take | Artie Shaw and his Strings | D Minor | 5 | 7A | 79 BPM | ||
| Fidgety Feet | Fletcher Henderson | A Minor | 1 | 8A | 159 BPM | ||
| Spanish Shawl | Edwin J. McEnelly's Orchestra | A♭ Minor | 3 | 1A | 120 BPM | ||
| My Man | Fanny Brice | E Minor | 1 | 9A | 134 BPM | ||
| Poor Papa | Irving Aaronson and His Commanders | A♭ Major | 2 | 4B | 185 BPM | ||
| I'm Gonna Charleston Back to Charleston | The Original Coon-Sanders Nighthawk Orchestra | D Major | 3 | 10B | 215 BPM | ||
| Can't We Be Friends? | Libby Holman | B♭ Major | 2 | 6B | 79 BPM | ||
| It Ain't Right | Bunny Berigan, Dick McDonough & His Orchestra | A Minor | 1 | 8A | 159 BPM | ||
| Corky Stomp - Remastered | Andy Kirk & His Clouds Of Joy | G Minor | 1 | 6A | 79 BPM | ||
| Glad Rag Doll | The Golden Gate Orchestra | E♭ Major | 1 | 5B | 143 BPM | ||
| Subway | Ozzie Nelson and His Orchestra | C Major | 2 | 8B | 135 BPM |