- BPM
- 78
- Key
- B♭ Major
- Camelot
- 6B
The Seraph by Jeremy Soule Song Details
Jeremy Soule's ' "The Seraph" was released on its scheduled release date, 2012. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeremy Soule's "Guild Wars 2: Original Soundtrack" album is number 2 out of 78. On top of that, United States appears to be the country where this track was created. The Seraph is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
We consider the tempo marking of The Seraph by Jeremy Soule to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -12.533 dB
- Acousticness
- 76%
- Danceability
- 46%
- Energy
- 46%
- Instrumentalness
- 97%
- Liveness
- 17%
- Loudness
- 79%
- Speechiness
- 3%
- Valence
- 43%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Morning and Choices | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D♭ Minor | 4 | 12A | 88 BPM | |
 | Falla: El sombrero de tres picos, Pt. 1: La tarde | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 130 BPM | |
 | Eine Alpensinfonie, Op. 64: XIII. Auf dem Gipfel | Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli | C Major | 3 | 8B | 94 BPM | |
 | El profeta Amós | Juan Pablo Fernández Ramos | C Major | 0 | 8B | 80 BPM | |
 | 427 - Os que no Senhor dormiram | Orquestra Sacra | E♭ Major | 3 | 5B | 101 BPM | |
 | Hino 309 - Galardão nos Espera | Orquestra Sacra Paulista | E♭ Major | 2 | 5B | 126 BPM | |
 | Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | G Minor | 1 | 6A | 130 BPM | |
 | Zemlinsky: Frühlingsbegräbnis: VII. Horch! Vom Hügel (Live) | Alexander von Zemlinsky, James Conlon, Chor des Städtischen Musikvereins zu Düsseldorf, Gürzenich Orchester Köln | E♭ Major | 1 | 5B | 74 BPM | |
 | Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | |
 | Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | C Minor | 3 | 5A | 115 BPM | |
| 323 - Oh! Não busques, ansioso | Orquestra Sacra | E♭ Major | 3 | 5B | 100 BPM | |
| Brahms: Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | G Minor | 1 | 6A | 130 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | |
 | Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio | Camille Saint-Saëns, Georges Prêtre, Wiener Symphoniker | E Major | 0 | 12B | 86 BPM | |
 | Otoño Porteño (Buenos Aires Autumn) | The Royal Wind Music | F♯ Major | 1 | 2B | 113 BPM | |
 | Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Minor | 1 | 6A | 130 BPM | |
 | Triste Anima Mia | Alessandro Gozzo, Cats Rule the World | D Major | 3 | 10B | 105 BPM | |
 | Stravinsky: Fireworks, Op. 4 | Igor Stravinsky, Melbourne Symphony Orchestra, Hiroyuki Iwaki | E Major | 2 | 12B | 62 BPM | |
 | Lyadov: 8 Russian Folksongs, Op. 58: No. 6, Cradle Song | Anatoly Lyadov, Andreyev Imperial Russian Orchestra, Dmitri Hochlov | A Minor | 1 | 8A | 113 BPM | |
 | Wein, Weib und Gesang, Walzer, Op. 333 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | A Minor | 1 | 8A | 87 BPM | |
 | La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | |
 | Guttersomne | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | |
 | Spartacus: Scene and Dance With Crotalums | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | |
 | Overture to The Tsar's Bride - Instrumental | Nikolai Rimsky-Korsakov, Andre Kostelanetz, Andre Kostelanetz & His Orchestra | D Major | 3 | 10B | 128 BPM |
- ISRC
- USS1Z1200002
- Label
- L-M Records/RCA Records