"Afsnit I, II, III: I. I" by Else Marie Pade, Niels Nielsen, Poul Ritz Andersen had its release date on 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Pade: EMP, Vol. 5". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Denmark. Afsnit I, II, III: I. I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Afsnit I, II, III: I. I by Else Marie Pade, Niels Nielsen, Poul Ritz Andersen having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
| Sancta Maria Benedicta | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| Stefan's Dream | Brecht Ameel | E Major | 1 | 12B | 108 BPM | ||
| Alma | merope, Bert Cools, Indrė Jurgelevičiūtė, Jean-Christophe Bonnafous, Jauna Muzika Choir | A Minor | 2 | 8A | 70 BPM | ||
| Capr./Caprice Rubato | Oskar Sala | D Major | 2 | 10B | 75 BPM | ||
| Finding Voice | Laurie Spiegel | E Major | 0 | 12B | 83 BPM | ||
| Schirley | Tomaga | D Major | 4 | 10B | 107 BPM | ||
| The Giant | Bill Nace | D♭ Major | 2 | 3B | 139 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | F♯ Minor | 3 | 11A | 80 BPM | ||
| Cirrocumulus | Jacob Kirkegaard, Else Marie Pade | D♭ Minor | 3 | 12A | 90 BPM | ||
| Smart Lilt Rams | Pierre Bastien | D Minor | 2 | 7A | 130 BPM | ||
| Epilog | Shida Shahabi | F Major | 0 | 7B | 73 BPM | ||
| Three Phantom Spheres on My Forehead | Anonima Talenti | B Minor | 1 | 10A | 107 BPM | ||
| Tower of Silence | Roberto Musci | F Major | 7 | 7B | 173 BPM | ||
| Syv Cirkler (1958) | Else Marie Pade | D♭ Major | 2 | 3B | 69 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Illustrationer: Alfeland | Else Marie Pade | B♭ Minor | 2 | 3A | 136 BPM | ||
| Slow Dance | Pierre Bastien, Michel Banabila | B♭ Minor | 2 | 3A | 146 BPM | ||
| Main Titles (Overture) | Louis and Bebe Barron | C Major | 2 | 8B | 105 BPM | ||
| Both Blue Moons | Aaron Dilloway, Lucrecia Dalt | D♭ Major | 6 | 3B | 94 BPM | ||
| Piano on Tape | Christina Vantzou, Michael Harrison, John Also Bennett | A Minor | 0 | 8A | 101 BPM | ||
| Natural Patterns | Josh Wynter | C Minor | 3 | 5A | 80 BPM | ||
| Crane 56 | Elephants in a High Tree | C Major | 0 | 8B | 70 BPM | ||
| mkke | Michiru Aoyama | C Major | 0 | 8B | 128 BPM | ||
| The Peaches Shade | Irena And Vojtech Havlovi | G Major | 1 | 9B | 101 BPM |