Rajkumar Swami, Kanchan Sapera's ' "Bala Sa Laaj Bachale" was released on its scheduled release date, December 13, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 24 in Bajrang Bala Bhajan by Rajkumar Swami, Kanchan Sapera. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Bala Sa Laaj Bachale is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bala Sa Laaj Bachale by Rajkumar Swami, Kanchan Sapera is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simru Bhuriya Baba Ne | Mahaveer Sankhla | D♭ Major | 7 | 3B | 118 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Amare Poreni Tomar Mone | Mujib Pardeshi | B Major | 7 | 1B | 94 BPM | ||
| Ajmal Ji Ra Kanvra Mari Nidra Hare | Rajkumar Swami | A Major | 8 | 11B | 102 BPM | ||
| Kar Na Dulhaniya Nayan Mein | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Saali Ae Barood Wargi | Surinder Bujrak, Anita Samana | D♭ Major | 9 | 3B | 95 BPM | ||
| लाल पीली अखियां | Khanak | F Major | 10 | 7B | 180 BPM | ||
| Kavne Dariya Soheli Koiliya | Bechan Ram Rajbhar | C Minor | 5 | 5A | 160 BPM | ||
| Ashik Ranghe Hir Pir | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 6 | 7B | 126 BPM | ||
| Main Mar Gi Balaji | Narendra Kaushik | A Major | 9 | 11B | 72 BPM | ||
| Goga Ji Ki Aarti | Jai Goga Jaharveer Ji | B♭ Minor | 7 | 3A | 130 BPM | ||
| Tejaji Ka Bhajan Bhomaram Panwar | Bhoma Ram Panwar | A Major | 10 | 11B | 105 BPM | ||
| RAIPA CHAUDHARY BABA JI | Ashu Verma | F♯ Minor | 5 | 11A | 79 BPM | ||
| Baawri Bhajan (feat. Renu kumar) | Kala Ram, Renu Kumar | A♭ Major | 7 | 4B | 171 BPM | ||
| Maa Da Mandir Machaila | Naveen Punjabi | F♯ Major | 6 | 2B | 180 BPM | ||
| Jis Samye Part 5 | Surjan chaitanya | G Major | 2 | 9B | 112 BPM | ||
| Lal Langoto Hath Me Goto Balaji Bhajan | Rajkumar Swami | D♭ Minor | 8 | 12A | 109 BPM | ||
| Jahar Baba Aawego | Ramavtar Sharma | F♯ Major | 5 | 2B | 125 BPM | ||
| Teda Suhina Mukhira | Ustad Mumtaz Lashari | D♭ Major | 7 | 3B | 118 BPM | ||
| Vyakul Nayanvan Chahila Darshanwa | Bechan Ram Rajbhar | B Major | 6 | 1B | 98 BPM | ||
| The To Jave Pardesh | Champe Khan | D♭ Major | 8 | 3B | 92 BPM | ||
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM | ||
| Majva Udave Raja | Ramkhilawan | B Major | 9 | 1B | 146 BPM | ||
| सांवरे से मिलने का सत्संग ही बहाना है | Prakash Das Ji Maharaj | E♭ Major | 6 | 5B | 106 BPM | ||
| Beti Zulm Kamawea Na | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | B Major | 5 | 1B | 80 BPM |