Mark Snow's 'Iter' had a release date set for 1996. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Truth And The Light: Music From The X-Files". In this album, this song's track order is #12. The popularity of Iter is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Iter by Mark Snow having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue meadow | KAPOSK | F Major | 0 | 7B | 80 BPM | ||
| The Marshaling Yard (The Latter Half) | Capcom Sound Team | A♭ Major | 1 | 4B | 177 BPM | ||
| Hall of Spirits | Jack Wall | C Major | 7 | 8B | 97 BPM | ||
| Carmen Amatorium Ex Arcanum | Mark Snow | D♭ Major | 2 | 3B | 80 BPM | ||
| Ancestry Chants | Avith Ortega | A♭ Minor | 3 | 1A | 128 BPM | ||
| La Tripulacion | Formas Correctas | G Minor | 2 | 6A | 130 BPM | ||
| Around You | (LUX) | A Minor | 3 | 8A | 132 BPM | ||
| Passage Terminated - (Single Version) | Dennis McCarthy | C Minor | 2 | 5A | 80 BPM | ||
| Reese & Sarah in Garage | Brad Fiedel | A Major | 4 | 11B | 88 BPM | ||
| Illusion | Jay Skl | F♯ Major | 1 | 2B | 91 BPM | ||
| Final Search | Charles Bernstein | D Major | 3 | 10B | 67 BPM | ||
| Super Highway | Richard Myhill | D Major | 4 | 10B | 106 BPM | ||
| Freaks | Mark Snow | A♭ Major | 3 | 4B | 138 BPM | ||
| Behemoth | Joseph Loduca | F Major | 5 | 7B | 81 BPM | ||
| Wild Son | Erkin Mimram, Eclador | B♭ Major | 1 | 6B | 59 BPM | ||
| Aficiones Razonables | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Introspace | Stellardrone | C Minor | 1 | 5A | 86 BPM | ||
| Dark Hollow (five) | Stewart Copeland | B Minor | 7 | 10A | 179 BPM | ||
| Switch Out | Don Davis | D Minor | 3 | 7A | 138 BPM | ||
| It’s Not Ben Anymore | Adrian Johnston | B♭ Major | 1 | 6B | 160 BPM | ||
| their daily lives | Kenji Kawai | E Minor | 2 | 9A | 140 BPM | ||
| Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
| Headlights - Main Title | Mark Isham | B♭ Minor | 1 | 3A | 123 BPM | ||
| Jugar Por Fuera | Batallas Vencidas | G Minor | 2 | 6A | 105 BPM | ||
| Is That Someone There | Hello Meteor | E Minor | 3 | 9A | 160 BPM |