Lil Armstrong's ' "Harlem On Saturday Night" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Harlem On Saturday Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 14 in A Memorial by Lil Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Harlem On Saturday Night is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Harlem On Saturday Night by Lil Armstrong is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Double Dare You | Larry Clinton, Bea Wain | E♭ Major | 4 | 5B | 181 BPM | ||
| Blue Devil Blues | Walter Page's Blue Devils | E♭ Major | 2 | 5B | 104 BPM | ||
| Tin Roof Blues | New Orleans Rhythm Kings | E♭ Major | 4 | 5B | 181 BPM | ||
| A Viper's Moan (01-04-35) | Willie Bryant | D♭ Major | 4 | 3B | 75 BPM | ||
| Twenty Four Robbers | Frank Johnson's Dixielanders | G Minor | 4 | 6A | 183 BPM | ||
| Exactly Like You | Carmen McRae | F Major | 4 | 7B | 135 BPM | ||
| Sugarfoot Rag | Ella Fitzgerald | B♭ Major | 5 | 6B | 196 BPM | ||
| You Hit the Spot | Putney Dandridge | B♭ Major | 3 | 6B | 165 BPM | ||
| Hep Cat's Love Song | Cab Calloway | A♭ Major | 3 | 4B | 80 BPM | ||
| Drop Me off in Harlem | Charlie Barnet | E♭ Major | 4 | 5B | 181 BPM | ||
| When Hollywood Goes Black and Tan | Cleo Brown | G Minor | 3 | 6A | 121 BPM | ||
| 24 Robbers | Dean Mora & Rusty's Rhythm Rascals | C Major | 3 | 8B | 99 BPM | ||
| He's A Real Gone Guy | Nellie Lutcher | D♭ Major | 3 | 3B | 120 BPM | ||
| Black Coffee | The Careless Lovers | E Minor | 2 | 9A | 199 BPM | ||
| I Thought I Heard Buddy Bolden Say | Jelly Roll Morton | E♭ Major | 4 | 5B | 181 BPM | ||
| Rock It | Lil Armstrong | C Minor | 1 | 5A | 116 BPM | ||
| Rhythm King | Bix Beiderbecke | F Major | 3 | 7B | 167 BPM | ||
| Hoy-Hoy | Cab Calloway | F Minor | 1 | 4A | 149 BPM | ||
| Never Swat A Fly | McKinney's Cotton Pickers | F Major | 4 | 7B | 110 BPM | ||
| Coleslaw | Louis Jordan & His Tympany Five | B♭ Major | 3 | 6B | 134 BPM | ||
| Knock-Kneed Sal | Lil Armstrong | C Minor | 1 | 5A | 116 BPM | ||
| (Opportunity Knocks But Once) Snatch And Grab It | Julia Lee And Her Boyfriends | F Minor | 2 | 4A | 93 BPM | ||
| Do Nothing Till You Hear from Me | Cootie Williams | G Minor | 5 | 6A | 126 BPM | ||
| Gimme a Pigfoot - Mono | LaVern Baker | F Minor | 5 | 4A | 120 BPM | ||
| Tain't What You Do | THE SCHWINGS BAND | A♭ Major | 4 | 4B | 174 BPM |