"Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano)" by Frank Bridge, Gerald Peregrine, Antony Ingham had its release date on April 12, 2024. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Bridge: Berceuse and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) by Frank Bridge, Gerald Peregrine, Antony Ingham is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Nocturnes, Op. 14: No. 1, Andante | Auguste Franchomme, Camille Thomas, Wolfgang Emanuel Schmidt | E Minor | 1 | 9A | 85 BPM | ||
| Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
| Piano Quartet in C Minor, Op. 60: III. Andante | Johannes Brahms, Mariani Klavierquartett | D Minor | 0 | 7A | 86 BPM | ||
| Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: V. Le jardin féérique | Maurice Ravel, Alexandre Tharaud, Bertrand Chamayou | C Major | 0 | 8B | 65 BPM | ||
| Prayer for the Ukraine (Arr. for Cello and Orchestra by Julian Riem) | Valentin Silvestrov, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko | D♭ Major | 3 | 3B | 116 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| Suite For String: I. Prelude | Frank Bridge, English String Orchestra, William Boughton | E Minor | 1 | 9A | 56 BPM | ||
| Calon Lân (Arr. Braimah & Aminata Kanneh-Mason for 2 Violins) | John Hughes, Aminata Kanneh-Mason, Braimah Kanneh-Mason | G Major | 1 | 9B | 77 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Verdiana (Version for Clarinet & String Orchestra): II. Un bossa in maschera | Alexey Shor, Fabrizio Meloni, Kyiv Virtuosi, Daniel Raiskin | F Major | 3 | 7B | 81 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
| Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | ||
| PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Berceuse in D Major, Op. 16 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | D Major | 0 | 10B | 67 BPM | ||
| Après un rêve, Op. 7 No. 1 (Arr. P. Casals for Cello & Piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F Minor | 1 | 4A | 97 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| Caprice viennois, Op. 2 (Arr. Fougeray for Violin and Guitar): I. Allegro molto moderato | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | G Major | 1 | 9B | 98 BPM | ||
| Sonata for Cello and Piano No. 1 in E Minor, Op. 38: II. Allegretto quasi Menuetto - Trio | Johannes Brahms, Alisa Weilerstein, Inon Barnatan | A Minor | 1 | 8A | 85 BPM | ||
| Hahn: Le ruban dénoué: No. 2, Les soirs d'Albi | Reynaldo Hahn, Martin James Bartlett, Alexandre Tharaud | F♯ Major | 1 | 2B | 125 BPM | ||
| 6 Lieder, Op. 13: No. 1, Ich stand in dunklen Träumen (Transcr. Soltani for Cello and Piano) | Clara Schumann, Kian Soltani, Julien Quentin | E♭ Major | 0 | 5B | 86 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM |