"Cradle Song in F Major, H. 96 (Version for Cello & Piano)" by Frank Bridge, Gerald Peregrine, Antony Ingham had its release date on May 10, 2019. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cradle Song in F Major, H. 96 (Version for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 16 in Folk Tales by Gerald Peregrine, Antony Ingham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Cradle Song in F Major, H. 96 (Version for Cello & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cradle Song in F Major, H. 96 (Version for Cello & Piano) by Frank Bridge, Gerald Peregrine, Antony Ingham is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
| Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Major | 0 | 6B | 107 BPM | ||
| Piano Trio in D Minor, Op. 120: II. Andantino | Gabriel Fauré, Kungsbacka Piano Trio | G Minor | 0 | 6A | 115 BPM | ||
| Suite for Cello and Orchestra, Op. 16: Romance | Camille Saint-Saëns, Steven Isserlis, Christoph Eschenbach | E Major | 0 | 12B | 99 BPM | ||
| Romance, Op. 36 | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 83 BPM | ||
| Cello Sonata in A Minor: III. Adagio | Henriette Bosmans, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | ||
| Elgar: Violin Sonata in E Minor, Op. 82: II. Romance. Andante | Renaud Capuçon, Stephen Hough | E Major | 0 | 12B | 70 BPM | ||
| Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
| Vocalise, Op. 34, No. 14 (Arr. Rose for Cello and Piano) - Musical Moments | Sergei Rachmaninoff, Jaemin Han, Jonathan Ware | E Minor | 1 | 9A | 85 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| My Funny Valentine | Gerald Peregrine | C Minor | 3 | 5A | 80 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Augustin Dumay, Maria João Pires | B♭ Minor | 0 | 3A | 103 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| 2 Irish Pieces: No. 1, From the Countryside | William Alwyn, Ashley Wass | D♭ Major | 0 | 3B | 70 BPM | ||
| Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Ghazel for Cello & Strings (Transc. Sam Dennison) | Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 80 BPM | ||
| Prelude | William Alwyn, Ashley Wass | G Minor | 0 | 6A | 169 BPM | ||
| Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 90 BPM | ||
| With Rue My Heart Is Laden, Op. 2 No. 2 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B Minor | 0 | 10A | 66 BPM |