Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) by Cyril Scott, Richard Jenkinson, Benjamin Frith Song Details

"Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano)" by Cyril Scott, Richard Jenkinson, Benjamin Frith had its release date on May 1, 2015. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Moon Sails Out". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) by Cyril Scott, Richard Jenkinson, Benjamin Frith having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -27.39 dB
Acousticness: 99%
Danceability: 10%
Energy: 2%
Instrumentalness: 84%
Liveness: 7%
Loudness: 54%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot)	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov	E Minor	2	9A	100 BPM
Concerto armonico No. 2 in B-Flat Major: IV. Allegro moderato	Unico Wilhelm van Wassenaer, Innovation Chamber Ensemble, Richard Jenkinson	B♭ Major	2	6B	99 BPM
Vespers, Op. 37: Nunc dimittis	Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia	E♭ Minor	0	2A	84 BPM
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Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Báidàn Fheilimidh (Felemy's Little Boat) (arr. T C Kelly)	Traditional, T C Kelly, Geraldine O'Grady, Margaret O'Sullivan, Oonagh Keogh	C Major	1	8B	130 BPM
Elegy, Op. 2	Ian Venables, Richard Jenkinson, Benjamin Frith	F Major	1	7B	124 BPM
Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": II. Adagio	Benjamin Frith, Royal Northern Sinfonia, John Field	C Major	0	8B	72 BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin)	Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max	A♭ Major	0	4B	88 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	F Major	0	7B	74 BPM
Piano Concerto No. 1 in D Major, Op. 17, R. 185: II. Andante sostenuto, quasi adagio	Camille Saint-Saëns, Romain Descharmes, Malmö Symphony Orchestra, Marc Soustrot	G Minor	0	6A	69 BPM
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile	Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra	E♭ Minor	0	2A	59 BPM
Nocturne No. 9 in E-Flat Major, H. 30	John Field, Benjamin Frith	B♭ Major	0	6B	137 BPM
The Gadfly Suite, Op. 97a: No. 8 Romance	Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin	D♭ Major	1	3B	133 BPM
Keyboard Sonata in G Minor, K.546/L.312/P.550: Cantabile	Domenico Scarlatti, Benjamin Frith	A Major	2	11B	134 BPM
All In The Past (Remembering Oskar Strock)	Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath	D Minor	0	7A	109 BPM
Impromptu-Caprice, Op. 9	Gabriel Pierné, Ellen Bødtker	A♭ Major	2	4B	94 BPM
Sextet in G Minor, Op. 142: II. Adagio con moto	Ferdinand Ries, Ursula Leveaux, Nash Ensemble, Richard Watkins, Richard Hosford, Hugh Webb, Benjamin Frith, Graham Mitchell	E♭ Major	0	5B	117 BPM
Holberg Suite, Op. 40: I. Prelude (Version for Strings)	Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti	G Major	1	9B	74 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
Introduction et Allegro, M. 46	Lavinia Meijer, Amsterdam Sinfonietta	E♭ Minor	1	2A	78 BPM
Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano)	Gabriel Fauré, Andreas Brantelid, Bengt Forsberg	E Major	0	12B	95 BPM
Early One Morning (Revised 1962)	Cyril Scott, Martyn Brabbins, BBC Philharmonic Orchestra, Howard Shelley	C Minor	1	5A	140 BPM