"Vespers, Op. 37: Nunc dimittis" by Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia had its release date on February 9, 2009. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 21 in Chants d'est (Sur le sentier recouvert) by Franck Krawczyk, Sonia Wieder-Atherton, Sinfonia Varsovia, Alexander Tcherepnin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Vespers, Op. 37: Nunc dimittis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vespers, Op. 37: Nunc dimittis by Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto: II. Longing | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | ||
| Désir | Dan Evmark, Paula Gustafsson | D Minor | 1 | 7A | 134 BPM | ||
| Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Andrew Manze, Johannes Moser, Orchestre de la Suisse Romande | D Major | 1 | 10B | 83 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Music Lab Collective | D Major | 1 | 10B | 168 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic, Thomas Stacy | A Minor | 1 | 8A | 75 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
| Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Samson François, Orchestre De La Société Des Concerts Du Conservatoire, André Cluytens | A♭ Major | 2 | 4B | 126 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| Adagio and Allegro in A Flat Major, Op. 70: I. Langsam, mit innigem Ausdruck | Robert Schumann, Kian Soltani, Aaron Pilsan | A♭ Major | 0 | 4B | 84 BPM | ||
| Bifu | Somei Satoh, Hilary Hahn, Cory Smythe | E Minor | 0 | 9A | 174 BPM | ||
| 14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM | ||
| I. Prayer (Arr. C. Palmer) | Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy | F Minor | 0 | 4A | 103 BPM |