Hemant Kumar, Lata Mangeshkar's ' "Baharon Se Poochho" was released on its scheduled release date, January 1, 1957. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 8 in Fashion by Hemant Kumar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Baharon Se Poochho's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Baharon Se Poochho by Hemant Kumar, Lata Mangeshkar is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Mujare Wali Hoon | Anuradha Paudwal | B♭ Minor | 4 | 3A | 85 BPM | ||
| Kaisa Jadoo Balam Tune Daara (From "12 O'Clock") | Geeta Dutt | D♭ Minor | 5 | 12A | 161 BPM | ||
| Ogo Nadi Apan Bege Pagal | Hemant Kumar | B Major | 1 | 1B | 138 BPM | ||
| Kaise Din Beete, Kaise Beeti Ratiyan | Ravi Shankar, Lata Mangeshkar | D Major | 4 | 10B | 129 BPM | ||
| Mone Rabe Ki Na Rabe Amare | Hemant Kumar | C Major | 3 | 8B | 135 BPM | ||
| Hamne Jag Ki Ajab Tasveer Dekhi | Pradeep | B Minor | 5 | 10A | 142 BPM | ||
| Wada Humse Kiya | Mubarak Begum, Kalyanji-Anandji | E♭ Minor | 6 | 2A | 91 BPM | ||
| Marna Teri Gali Mein | Lata Mangeshkar | D♭ Major | 2 | 3B | 85 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Soja Lalla Soja - 3 | Ravindra Jain, Hemlata | G Major | 3 | 9B | 135 BPM | ||
| Aurat Teri Yehi Kahani (Sad) | Mohammed Aziz | F♯ Minor | 10 | 11A | 98 BPM | ||
| Badra Ki Chhaon Tale | Suraiya, Mukesh | E♭ Major | 2 | 5B | 67 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Aaja Zara Mere Dil Ke Sahare | Geeta Dutt, Hemant Kumar | D Major | 3 | 10B | 122 BPM | ||
| Raahi Matwale | Talat Mahmood, Suraiya | A♭ Major | 3 | 4B | 75 BPM | ||
| Ek Raat Men Do Do Chand Khile | Mukesh, Lata Mangeshkar | D Major | 4 | 10B | 129 BPM | ||
| O Aaiyo Main Aaya - 3 | Shahmshad Begum, Pandit Shiv Dayal, S. D. Batish | D♭ Major | 0 | 3B | 71 BPM | ||
| Tum Kya Aaye Duniya Badal Gayi | Udit Narayan, Sadhana Sargam, Kalyanji-Anandji | B♭ Minor | 4 | 3A | 81 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| O Neend Na Mujhko Aaye | Hemant Kumar, Lata Mangeshkar | C Major | 5 | 8B | 97 BPM | ||
| Meri Dilruba Tujhko Aana Padega | Shailendra Singh | G Major | 4 | 9B | 82 BPM | ||
| Badon Ka Hai Farmana | Shailendra Singh, Mohammed Aziz, Anuradha Paudwal, Kavita Krishnamurthy | C Major | 3 | 8B | 174 BPM | ||
| Tum Ko Mere Dil Ne Pukara | Shailendra Singh, Kanchan, Kalyanji-Anandji | G Major | 4 | 9B | 179 BPM | ||
| Tum Aur Hum Bhool Ke Gham | Geeta Dutt, Hemant Kumar | A Major | 3 | 11B | 128 BPM |