"Headlong" by Alexander L'Estrange, Ben Parry, Rob Kelly had its release date on June 18, 2021. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice Box by Alexander L'Estrange, Ben Parry, Rob Kelly. The song's track number on the album is #4 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Headlong is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Headlong by Alexander L'Estrange, Ben Parry, Rob Kelly has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Headlong being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Today | Lucy Walker, St Martin's Voices, Andrew Earis | F Major | 1 | 7B | 128 BPM | ||
| Earth Song | Frank Ticheli, Seraphic Fire, Patrick Dupre Quigley | F Major | 1 | 7B | 141 BPM | ||
| Congratulations | Alexander L'Estrange, Ben Parry, Joanna Forbes L'Estrange | G Major | 4 | 9B | 100 BPM | ||
| Pastime with Drunken Sailors | Alexander L'Estrange | F Major | 5 | 7B | 180 BPM | ||
| Shakespeare Songs, Book 3: I. It was a lover and his lass | Matthew Harris, Phoenix Bach Choir, Charles Bruffy | A♭ Major | 1 | 4B | 67 BPM | ||
| The Birds' Lullaby - SATB | Sarah Quartel, Oxford University Press, The Oxford Choir, Bob Chilcott | G Major | 1 | 9B | 104 BPM | ||
| Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM | ||
| The Light of the Night | Darius Lim, Gabriel Lee, Voices of Singapore Children’s Choir, Donald Law | A Minor | 2 | 8A | 71 BPM | ||
| I Thank You God for Most This Amazing Day | BYU Singers | C Major | 1 | 8B | 70 BPM | ||
| Where Are My Glasses | Alexander L'Estrange, Ben Parry | A♭ Major | 1 | 4B | 121 BPM | ||
| Nocturnes: Sure On This Shining Night | Voce | D♭ Major | 0 | 3B | 128 BPM | ||
| Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| Thula Mama, Thula | Alexander L'Estrange | F Major | 2 | 7B | 143 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| The Call of Wisdom | Will Todd, Tenebrae, English Chamber Orchestra, Nigel Short | D♭ Major | 2 | 3B | 71 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| J. G. Rheinberger: Abendlied | Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | F Major | 0 | 7B | 135 BPM | ||
| O Filii Et Filiae | Salt Lake Vocal Artists | A♭ Major | 1 | 4B | 134 BPM | ||
| The Hymnes and Songs of the Church: No. 13, The Fifth Canticle: Oh my love (Arr. A. Pitts) | Orlando Gibbons, Alexander L'Estrange, Antony Pitts, Tonus Peregrinus | F♯ Major | 1 | 2B | 78 BPM |