"Play Me" by AfterInfinity, Evan Royalty had its release date on November 14, 2020. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "SCP: Overlord (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Play Me is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Play Me by AfterInfinity, Evan Royalty having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intro - Portam Ad Inferno | Petri Alanko | A Major | 3 | 11B | 107 BPM | ||
| Resistance Shall Be Made | Avalanche Studios | D♭ Major | 6 | 3B | 160 BPM | ||
| Stage One | Tim Wynn | C Minor | 1 | 5A | 118 BPM | ||
| No One There | Andrew Hulshult | D Major | 1 | 10B | 74 BPM | ||
| Down to Business - Bonus Track | Stephen Barton | F♯ Major | 7 | 2B | 92 BPM | ||
| Shipwreck | Benjamin Young | G Major | 6 | 9B | 120 BPM | ||
| The Future Is Now | Alain Johannes, Alessandro Cortini, Norm Block | D♭ Major | 2 | 3B | 120 BPM | ||
| Traversing the Deep | Raison Varner | D♭ Major | 1 | 3B | 72 BPM | ||
| Breaking Up | Andrew Hulshult | D Major | 1 | 10B | 74 BPM | ||
| Monsters We | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Crash Corpse | Ryan Leo Williams | A♭ Major | 8 | 4B | 150 BPM | ||
| Not Always Right | Jesper Kyd | D♭ Major | 5 | 3B | 84 BPM | ||
| The Eastern Front | Aleksi Aubry-Carlson, Jonathan Figoli | D Minor | 4 | 7A | 82 BPM | ||
| Ominent | Justin E. Bell | A Minor | 2 | 8A | 71 BPM | ||
| Venus | Martin Stig Andersen | D Major | 1 | 10B | 132 BPM | ||
| Negotiating the Confession (Alt) | Paul Leonard-Morgan | D Minor | 2 | 7A | 54 BPM | ||
| Suspended | Mark J Hadley | C Major | 0 | 8B | 135 BPM | ||
| Runner Number 81 Who Next | Pawel Blaszczak | B♭ Minor | 9 | 3A | 100 BPM | ||
| Hesa Fredrik | Avalanche Studios | B♭ Minor | 4 | 3A | 160 BPM | ||
| The Conversation | Theatre Of Delays | G Major | 7 | 9B | 140 BPM | ||
| Farewell | Garrett Lindquist | A Minor | 1 | 8A | 77 BPM | ||
| Gallente Supremacy | Kristian Sønderlund Ross, EVE Online Music | C Minor | 1 | 5A | 68 BPM | ||
| Castor Woods Ambience 01 | Olivier Deriviere | F Major | 1 | 7B | 61 BPM | ||
| Mannerites | Mark Morgan | D Major | 2 | 10B | 70 BPM | ||
| Scepter | AfterInfinity, Evan Royalty | F♯ Minor | 3 | 11A | 120 BPM |