Kumar Arjun, Kartik Kumar Gupta's ' "Astyam Harikertan Hare Rama Hare Krishna" was released on its scheduled release date, November 26, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kumar Arjun's "Hare Rama Hare Krishna" album is number 2 out of 2. Astyam Harikertan Hare Rama Hare Krishna is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Astyam Harikertan Hare Rama Hare Krishna by Kumar Arjun, Kartik Kumar Gupta to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Bolya Bolya Nandanvan Na Mor | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Kali Kamli Wala | Reshmi Sharma | C Major | 9 | 8B | 134 BPM | ||
| Sire Mandir Nav Natho Ro Dham - Original | Jog Bharti, Geeta Goswami | C Minor | 8 | 5A | 90 BPM | ||
| Anmol Tera Jeevan | Gaurangi Gauri Ji | A Major | 5 | 11B | 138 BPM | ||
| Angana Me Pisele Haradiya | Chandan Tiwari | B♭ Major | 7 | 6B | 93 BPM | ||
| Kanchan Si Kaya Manush Ki Pai Bundeli Chetavni Geet | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 107 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| में तेरे इश्क में प्यारे बदनाम हो चुका हु | Puran Gurjar, Naresh Prajapat, Lehrudas Vaishanv | B Major | 8 | 1B | 87 BPM | ||
| Mehar Mauga Kahayiba Ye Bheduwa | Karina Pandey | B♭ Major | 7 | 6B | 93 BPM | ||
| Aarti Om Jay Jagdish Hare | prakashdasswamiofficial | A♭ Major | 9 | 4B | 89 BPM | ||
| Maithili Vivah Parichin Geet | Kumkum Mishra | B♭ Minor | 8 | 3A | 150 BPM | ||
| Jhuleli Mayariya | Khesari Lal Yadav | C Major | 10 | 8B | 130 BPM | ||
| Lahar Lahar Lahraye Ho Jhanda Bajrangbali Ka Bundeli Hanuman Bhajan | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 87 BPM | ||
| Radha Rani Ki Kirpa | Chitra Vichitra | B♭ Minor | 9 | 3A | 140 BPM | ||
| Bhogne Pade Jarur Karamfal Bundeli | Chandra Bhushan Pathak | D♭ Minor | 9 | 12A | 149 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Maar Dala Haluaiya | Radhe Shyam Rasiya, Shubha Mishra | A Major | 6 | 11B | 96 BPM | ||
| Jija Par Manwa Dole | Babita Bandana | F Minor | 9 | 4A | 96 BPM | ||
| Naya Sal Me Mal London Se Layenge | Pal Babu, Kumar Arjun, Shashti Pal | B♭ Major | 7 | 6B | 93 BPM | ||
| Nimadi Maa Narmada Bhajan | Aas Lagi N Thara Dharshan Ki | Ashwin Yadav | G Major | 5 | 9B | 79 BPM | ||
| Deen Ka Jhanda | Aalam Sabri | F♯ Minor | 6 | 11A | 88 BPM | ||
| Sabari Kahat Daru Pine | Jaysingh raja, Doli Rajpoot | F♯ Major | 3 | 2B | 81 BPM | ||
| Ludkat Aa Rai Gend Khelat Aa Ray Kanhaiya | Jitendra Khare, Laxmi | E Major | 8 | 12B | 126 BPM | ||
| Guru Samdata Jag Me Koi Nhi | Prem Nath | A Major | 9 | 11B | 80 BPM |