"Hellbound / Second Sight Seance" by Christopher Young had its release date on October 5, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christopher Young's "Hellbound: Hellraiser II (Remastered Special 30th Anniversary Edition) (Original Motion Picture Soundtrack)" album is number 1 out of 13. Hellbound / Second Sight Seance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hellbound / Second Sight Seance by Christopher Young to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the Conjuring | joseph bishara | D Major | 1 | 10B | 86 BPM | ||
| Such Sights to Show You | Lovett | A Major | 2 | 11B | 122 BPM | ||
| Theme from Friday the 13th, Pt. 3 | Michael Zager, Harry Manfredini | F Major | 7 | 7B | 126 BPM | ||
| End Credits - Instrumental | Alejandro Amenábar | C Minor | 1 | 5A | 70 BPM | ||
| Surgery | Charlie Clouser | B Major | 4 | 1B | 154 BPM | ||
| Lonely Perfection | Jed Kurzel | F Minor | 2 | 4A | 98 BPM | ||
| Alice Runs to Light | Harry Manfredini | G Major | 1 | 9B | 67 BPM | ||
| Footcuffed | Charlie Clouser | D♭ Major | 4 | 3B | 68 BPM | ||
| Main Title | Jerry Goldsmith | F Major | 1 | 7B | 118 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| John Carpenter's Halloween | Trent Reznor and Atticus Ross | E Minor | 5 | 9A | 136 BPM | ||
| Millennium - Main Title | Mark Snow | E Major | 6 | 12B | 34 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Main Theme - From "A Nightmare On Elm Street" | Mark Ayres | D Major | 2 | 10B | 158 BPM | ||
| Funeral | Charles Bernstein | D Major | 2 | 10B | 38 BPM | ||
| Kanon - 2001 Remastered Version | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Polnisches Radio-Sinfonieorchester Krakau | A♭ Major | 1 | 4B | 129 BPM | ||
| No Way to Wisdom | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM | ||
| Not Tonight, I've Got a Headache | Harry Manfredini | C Major | 1 | 8B | 143 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| The Torrens | The Flight, Christian Henson | A♭ Major | 1 | 4B | 128 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Mitus Lumen | Mark Snow | A Minor | 4 | 8A | 180 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Nosferatu Opening Titles | Silent Orchestra | G Major | 2 | 9B | 61 BPM | ||
| Death By Fire / Terminator Gets Up | Brad Fiedel | G Minor | 4 | 6A | 70 BPM |