"End Credits: Final Suite - The Terminator" by Brad Fiedel had its release date on 1984. This song appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "The Terminator (Original Soundtrack Album)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, End Credits: Final Suite - The Terminator's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With End Credits: Final Suite - The Terminator by Brad Fiedel having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wormhole | London Philharmonic Orchestra, Wendy Carlos | A Major | 2 | 11B | 67 BPM | ||
| Pruebas In Situ | Bellum Sanctus | A Minor | 2 | 8A | 150 BPM | ||
| Final Search | Charles Bernstein | D Major | 3 | 10B | 67 BPM | ||
| Kaffe | Marc Shaiman | D Minor | 1 | 7A | 74 BPM | ||
| The Omen Main Titles | Marco Beltrami | D Major | 3 | 10B | 130 BPM | ||
| The Challenge Fight Warm-Up - From "Dragon: The Bruce Lee Story" Soundtrack | Randy Edelman | D♭ Major | 4 | 3B | 119 BPM | ||
| Millennium Main Title (Long Version) | Mark Snow | E Major | 4 | 12B | 120 BPM | ||
| Humanity - Pt. 2 | Ennio Morricone | E♭ Minor | 0 | 2A | 99 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| Affected Cities | Cliff Martinez | B♭ Minor | 6 | 3A | 104 BPM | ||
| Otium | Mark Snow | D♭ Major | 0 | 3B | 63 BPM | ||
| Main Theme / Brothers (From "Broken Arrow") | Rich Douglas | C Major | 5 | 8B | 90 BPM | ||
| Terminator: Main Theme | M.S. | A♭ Major | 7 | 4B | 82 BPM | ||
| Ripley's Rescue | James Horner, London Symphony Orchestra | D♭ Major | 8 | 3B | 144 BPM | ||
| The Last Starfighter: Main Title | Craig Safan | E♭ Major | 3 | 5B | 114 BPM | ||
| Sign Off - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Minor | 0 | 5A | 89 BPM | ||
| Ronin Theme | Elia Cmiral | E Minor | 2 | 9A | 54 BPM | ||
| The Garden | George S. Clinton | F Major | 0 | 7B | 87 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 4 | 9B | 119 BPM | ||
| The Rescue | John Frizzell | G Major | 2 | 9B | 142 BPM | ||
| Main Title from "Speed" (Arr. D. Snyder) | Mark Mancina, David Snyder, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 3 | 4B | 85 BPM | ||
| Hydrophobia | Adrian Johnston | D Minor | 2 | 7A | 81 BPM |