"Otium" by Mark Snow had its release date on 1996. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Truth And The Light: Music From The X-Files". In this album, this song's track order is #10. Otium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Otium by Mark Snow having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonrise (X-Files: I Want To Believe OST) | Mark Snow | F Major | 4 | 7B | 58 BPM | ||
| Main Title from "The Shining" - Variation | Chuck Cirino | A♭ Major | 2 | 4B | 62 BPM | ||
| Magic | Sigmis | A Major | 3 | 11B | 160 BPM | ||
| Lichterfelde | sun electric | D♭ Major | 2 | 3B | 138 BPM | ||
| Freeze | Klaus Schulze | D♭ Minor | 5 | 12A | 115 BPM | ||
| Reese & Sarah in Garage | Brad Fiedel | A Major | 4 | 11B | 88 BPM | ||
| Super Reality | Nidogea | D Minor | 0 | 7A | 121 BPM | ||
| Main Title | Alan Howarth, Larry Hopkins | C Major | 0 | 8B | 79 BPM | ||
| The Marshaling Yard (The Latter Half) | Capcom Sound Team | A♭ Major | 1 | 4B | 177 BPM | ||
| Burning | Stephor Shpandau | D♭ Minor | 0 | 12A | 140 BPM | ||
| Innercity | Ceyran Huseynova, Feirn Mont | C Major | 1 | 8B | 79 BPM | ||
| The Lost Grove | Jagex Audio Team, Grace Docksey | A♭ Major | 2 | 4B | 98 BPM | ||
| Traspasando Lineas | Ego Nostrum | B Major | 1 | 1B | 96 BPM | ||
| Dark Days Dawn | James Barth | D Major | 0 | 10B | 75 BPM | ||
| Pain And Retribution | Graeme Revell | G Minor | 2 | 6A | 61 BPM | ||
| Preocupaciones Claras | Enigma Hermético | E♭ Major | 3 | 5B | 140 BPM | ||
| Hotel Themes | Jesper Kyd | D♭ Major | 5 | 3B | 100 BPM | ||
| Final Search | Charles Bernstein | D Major | 3 | 10B | 67 BPM | ||
| The Chair | Angelo Badalamenti | G Minor | 3 | 6A | 119 BPM | ||
| The Secret Garden | William Orbit | E Major | 0 | 12B | 71 BPM | ||
| Lamenta | Mark Snow | D Minor | 1 | 7A | 71 BPM | ||
| Secret Worlds | Richard Myhill | D Major | 4 | 10B | 85 BPM | ||
| Love Theme Farewell | Angelo Badalamenti, David Lynch | G Minor | 1 | 6A | 85 BPM | ||
| Millennium - Main Title | Mark Snow | E Major | 6 | 12B | 34 BPM | ||
| Delincuentes Habituales | Mutua Admiración | D Minor | 1 | 7A | 52 BPM |