Cacilda de Assis - Sete da Lira's 'O Porquê do 7' had a release date set for June 13, 1970. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. O Porquê do 7's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Tambor 7". In this album, this song's track order is #14. Based on our statistics, O Porquê do 7's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With O Porquê do 7 by Cacilda de Assis - Sete da Lira having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Senhor Ogum da Estrada / Graças a Deus, Meu Deus | Pai Pedro Miranda | F♯ Major | 9 | 2B | 143 BPM | ||
| Ossain | Ilê Àse Oyá Funjó | C Major | 5 | 8B | 139 BPM | ||
| MARABÔ, ESCUTO AO LONGE UMA GARGALHADA | Emmano, TECAL, Blessed | G Minor | 5 | 6A | 100 BPM | ||
| Iracema Cabocla Guerreira | Sandro Luiz | F♯ Minor | 4 | 11A | 109 BPM | ||
| Seu Exu Cobra Não É Brincadeira | Vagner de Aganjú | A Major | 6 | 11B | 130 BPM | ||
| Mestra Paulina Quem Foi Seu Amor | Gustavo Omã, Coco Caeté, Ponto de jurema | B Major | 7 | 1B | 201 BPM | ||
| Exu Marabô - Exu da Meia-Noite | Coral A Caminho da Luz | E♭ Major | 6 | 5B | 91 BPM | ||
| A Chama da Vitória | Cacilda de Assis - Sete da Lira | B♭ Minor | 9 | 3A | 131 BPM | ||
| Cantigas para Exú | Mestres Navegantes, Ilê Axé Alaketu Oya Funan, Elielson Pi, Ebomi Cátia | A♭ Major | 9 | 4B | 61 BPM | ||
| Eu Louvo a Deus | Sandro Luiz | A♭ Major | 5 | 4B | 97 BPM | ||
| Viva às Almas | Conjunto Folclórico Ibyara | C Major | 9 | 8B | 106 BPM | ||
| Oyá Messan | Casa Fanti Ashanti | G Major | 6 | 9B | 78 BPM | ||
| Cântico para Obaluaê | ILÊ FUN FUN | F Major | 9 | 7B | 76 BPM | ||
| Povo do Pó (Seu Caveira) [feat. Mestre Obashanan] | Mãe Iberecy, Mestre Obashanan | A♭ Major | 4 | 4B | 126 BPM | ||
| Pombagira Cacurucaia - Lá Na Calunga | Alessandro Ty Ogum | B Minor | 2 | 10A | 104 BPM | ||
| Pedrinha | Joãozinho da Goméia | A♭ Minor | 3 | 1A | 131 BPM | ||
| São Jorge Guerreiro | J.B. De Carvalho | D♭ Minor | 6 | 12A | 131 BPM | ||
| Subida de Ogum | José Carlos de Oxossi | D♭ Major | 7 | 3B | 97 BPM | ||
| Exú Mangueira | Tião Casemiro | E Major | 5 | 12B | 82 BPM | ||
| João Caveira das Almas | Mestre Boca do Exu Rei | A♭ Minor | 6 | 1A | 160 BPM | ||
| Sete Saias Tá Aí | Filhas de Iemanja | E Major | 7 | 12B | 90 BPM | ||
| Iansan | Mestre Hilário, Mestre Erenilton Bagum | B♭ Major | 7 | 6B | 88 BPM | ||
| Saravá Angola | Marina C. Carneiro, Tenda Mirim Sétima Filial | D♭ Major | 9 | 3B | 101 BPM | ||
| A Dona do Mar | Coral Filhos de Oxóssi | F Major | 6 | 7B | 92 BPM | ||
| É pra Quem Tem Fé | Cacilda de Assis - Sete da Lira | B♭ Minor | 9 | 3A | 131 BPM |