"Rendition of Privacy - Pollock" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 31 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Rendition of Privacy - Pollock is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rendition of Privacy - Pollock by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Concurrent States (Plainsong, Pt. 2) | Ben Salisbury | G Minor | 1 | 6A | 66 BPM | ||
| The Ballot / Carrie and Tommy / The Conspirators | Pino Donaggio | D Major | 2 | 10B | 63 BPM | ||
| Venus Principle | Popol Vuh | E Minor | 7 | 9A | 130 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| A Walk Through The Zoo / A Friendly Nuisance | Jason Hill | F Major | 1 | 7B | 78 BPM | ||
| The Bed Axe | Harry Manfredini | C Major | 1 | 8B | 72 BPM | ||
| i'd rather be a wanderer | Donald Rubinstein | A Major | 2 | 11B | 95 BPM | ||
| Psycho Contact Nr. 1 | Vampire Sound Inc., Sigi Schwab, Manfred Hübler | E Minor | 4 | 9A | 177 BPM | ||
| Appointment with the Wicker Man | Magnet | A♭ Minor | 5 | 1A | 64 BPM | ||
| Fantasies | Jason Hill | D♭ Major | 0 | 3B | 71 BPM | ||
| Waltz in the 4th Dimension | Michael Andrews | F Major | 1 | 7B | 131 BPM | ||
| Ask Him Why He Killed My Brother | Cliff Martinez, Gregory Tripi | C Minor | 0 | 5A | 168 BPM | ||
| For Cozy | Donald Rubinstein | D Minor | 1 | 7A | 111 BPM | ||
| Teresa, Lark of Ascension | Broadcast | A♭ Major | 4 | 4B | 79 BPM | ||
| Miniature No. 6 | Jette Mogensen | A♭ Major | 0 | 4B | 99 BPM | ||
| Closer & Closer | David Shire | G Minor | 0 | 6A | 120 BPM | ||
| Looks Like Rain | Roque Baños | C Major | 0 | 8B | 57 BPM | ||
| Elegy of the Veiled Horizons | Arjun Tara | B♭ Major | 0 | 6B | 76 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Peter | Colin Stetson | E Minor | 3 | 9A | 87 BPM | ||
| Die Nahtanznummer, Teil 2 | Bohren & Der Club Of Gore | C Major | 0 | 8B | 82 BPM | ||
| Destination Lost | Eddy Melton, Eddie Melton | D♭ Minor | 4 | 12A | 105 BPM | ||
| Das schoß des irrtums | Popol Vuh | B Major | 5 | 1B | 100 BPM | ||
| Righteous | Donald Rubinstein | A Minor | 1 | 8A | 100 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM |