"Also sprach Zarathustra (Arr. André Rieu)" by Richard Strauss, André Rieu, Johann Strauss Orchestra had its release date on April 1, 2008. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 27 in André Rieu in Wonderland by André Rieu, Johann Strauss Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Also sprach Zarathustra (Arr. André Rieu) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Also sprach Zarathustra (Arr. André Rieu) by Richard Strauss, André Rieu, Johann Strauss Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| Please Don't Go | André Rieu, Jean-Philippe Rieu, Suzan Erens, Carla Maffioletti, Carmen Monarcha | D Major | 2 | 10B | 129 BPM | ||
| Nessun Dorma | Giacomo Puccini, André Rieu, The Platin Tenors | D Major | 4 | 10B | 95 BPM | ||
| Love Live Forever | Franz Lehár, André Rieu, Johann Strauss Orchestra | G Major | 4 | 9B | 86 BPM | ||
| Träumerei (From "Kinderszenen", Op. 15) | Robert Schumann, André Rieu, Johann Strauss Orchestra | C Major | 6 | 8B | 78 BPM | ||
| The Sound of Music (From "The Sound of Music") - Live | Richard Rodgers, André Rieu, Suzan Erens | D Major | 2 | 10B | 129 BPM | ||
| Romance, Op. 97a (From "The Gadfly Suite") | Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra | B♭ Major | 7 | 6B | 78 BPM | ||
| Maria, Marì! | Eduardo di Capua, André Rieu, Johann Strauss Orchestra | D Major | 2 | 10B | 129 BPM | ||
| Also sprach Zarathustra, Op. 30: I. Prelude. Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
| Entry of the Gladiators (ARV) - Live | Julius Fučík, André Rieu, Johann Strauss Orchestra | F Major | 10 | 7B | 125 BPM | ||
| Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber | C Minor | 3 | 5A | 96 BPM | ||
| Radetzkymarsch - Live | Johann Strauss I, André Rieu, Johann Strauss Orchestra | E♭ Major | 5 | 5B | 71 BPM | ||
| Pomp And Circumstance March No. 1 | Edward Elgar, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Parade of the Charioteers - Live | Miklós Rózsa, André Rieu, Johann Strauss Orchestra | B Minor | 9 | 10A | 124 BPM | ||
| Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
| Ai Se Eu Te Pego - Live | Aline Medeiros Da Fonseca, Karina Assis Vinagre, Amanda Grasiele Mesquita Teixeira, Sharon Acioly Arcoverde, Antonio Carlos Paim Cerqueira, André Rieu, Johann Strauss Orchestra | C Major | 3 | 8B | 98 BPM | ||
| Heut' kommen d'Engerln auf Urlaub nach Wean | Franz Ferry Wunsch, André Rieu, Johann Strauss Orchestra | G Major | 3 | 9B | 97 BPM | ||
| I Dreamed a Dream | Claude-Michel Schönberg, André Rieu | G Major | 4 | 9B | 85 BPM | ||
| Parade of the Charioteers (From "Ben-Hur") | Miklós Rózsa, André Rieu | E Minor | 8 | 9A | 124 BPM | ||
| Parlez-moi d'amour | Jean Lenoir, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| Thank You ABBA - Medley | Benny Andersson, Björn Ulvaeus, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| Carmen, WD 31: Prelude to Act 1 | Georges Bizet, Staatskapelle Dresden, Silvio Varviso | F Major | 4 | 7B | 128 BPM | ||
| Auf Ferienreisen, Op. 133 | Josef Strauss, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| Cavelleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, André Rieu, Johann Strauss Orchestra | B♭ Major | 7 | 6B | 78 BPM |