On 1997, the song "Almost Gone" was released by Tandy. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Tandy". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Almost Gone is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Almost Gone by Tandy having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Misery | Paul McDonald, Nikki Reed | D♭ Minor | 6 | 12A | 85 BPM | ||
| The Fever Breaks | Tandy | G Major | 4 | 9B | 179 BPM | ||
| Shut Me Out | Aidan Hawken | E Major | 5 | 12B | 144 BPM | ||
| Today Has Been OK | Emilíana Torrini | E♭ Major | 2 | 5B | 184 BPM | ||
| Only Yesterday | Taken By Trees | C Major | 2 | 8B | 132 BPM | ||
| What I Wouldn't Do | A Fine Frenzy | D Major | 7 | 10B | 115 BPM | ||
| Little Bit | Hannah Miller | B♭ Major | 3 | 6B | 78 BPM | ||
| Specks | Matt Pond PA | A♭ Major | 6 | 4B | 91 BPM | ||
| When the Music's Not Forgotten | Deadman | E Major | 3 | 12B | 145 BPM | ||
| All of My Trains | Robert Francis | F♯ Major | 3 | 2B | 114 BPM | ||
| If Ever There's a Reason | Derby | A Minor | 4 | 8A | 97 BPM | ||
| Crazy Ever After (Acoustic) [Bonus Track] | The Rescues | D♭ Major | 2 | 3B | 204 BPM | ||
| Stay With Me Tomorrow | Patrick Park | F Major | 3 | 7B | 108 BPM | ||
| Gold | Wake Owl | B Minor | 6 | 10A | 86 BPM | ||
| Wash Away (Reprise) | Joe Purdy | F Major | 3 | 7B | 86 BPM | ||
| Here is a Heart | Jenny Owen Youngs | G Major | 5 | 9B | 112 BPM | ||
| Lead Me Home | Fm Radio | G Major | 3 | 9B | 148 BPM | ||
| Old Mythologies | The Barr Brothers | B♭ Major | 5 | 6B | 90 BPM | ||
| How Good We Had It | Hayley Taylor | E Major | 5 | 12B | 146 BPM | ||
| And Still, the Darkness Comes | Aron Wright | D Major | 5 | 10B | 111 BPM | ||
| Home Is Where Your Heart Is | Thomas Hien | B Major | 5 | 1B | 102 BPM | ||
| Astair | Matt Costa | B Major | 7 | 1B | 106 BPM | ||
| More Than Life | Whitley | B♭ Major | 4 | 6B | 85 BPM | ||
| Ain't No Reason | Brett Dennen | F Major | 4 | 7B | 73 BPM | ||
| To A Friend | Tandy | A♭ Major | 3 | 4B | 115 BPM |