On September 15, 2001, the song "Shri Adinath Chalisa" was released by Rakesh Kala. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Kala's "Jain Chalisa Sangrah" album is number 6 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Shri Adinath Chalisa's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Shri Adinath Chalisa by Rakesh Kala to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harsiddhi Maa Ni Aarti | Arvind Barot, Bhavna Rana | F Minor | 9 | 4A | 190 BPM | ||
| Mor Dai Navdurga | Alka Chandrakar | G Major | 8 | 9B | 93 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Janani Ni Jod Sakhi | Nidhi Dholakia | B♭ Minor | 3 | 3A | 121 BPM | ||
| AsuwanDhar | Sanjay Mittal | B Major | 4 | 1B | 112 BPM | ||
| Maine Ratna Lahyee Radha Naam Ki | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Roopwa Tor Nirekhu Ae Mayiya | Guddu Rangila | E♭ Minor | 10 | 2A | 140 BPM | ||
| Ubha Kasa Rahila Vitewari | Shrikant Narayan | A♭ Minor | 10 | 1A | 94 BPM | ||
| O Bondhu Poran Bondhure | Sanajit Mondal | B Minor | 6 | 10A | 131 BPM | ||
| Tumi Nirmal Koro | Antara Chowdhury, Various Child | B♭ Major | 4 | 6B | 90 BPM | ||
| Surat Nanad Teri | Santram Banjara, Kalpana, Pushpa, Rakesh Kala, Kamal | G Major | 4 | 9B | 85 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Shani Chalisa - Chalisa | Rakesh Kala | E Major | 7 | 12B | 135 BPM | ||
| Tamari Murti Vina | Gunatit Jyot | D Major | 4 | 10B | 80 BPM | ||
| Ade Dwaraka | Jagadiswari Murthy, Pavan, Sireesha Bhagavatula | F Major | 6 | 7B | 81 BPM | ||
| Zale Shree Samarth Darshan | Mahendra Warekar, Ravindra Sathe | D Major | 7 | 10B | 175 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM | ||
| Gokulat Nandaghari | Usha Mangeshkar | B♭ Major | 8 | 6B | 91 BPM | ||
| Maa Mansa Meri | Kunal Chanchal | F Major | 8 | 7B | 90 BPM | ||
| Tuljabhavani Kulswamini | Sunny Nair | D♭ Minor | 8 | 12A | 171 BPM | ||
| Shreenathji Paraniye Jhule re | Nidhi Dholakia | F Major | 5 | 7B | 130 BPM | ||
| Tor chorone shyma maa | Raghab Chatterjee | D Major | 5 | 10B | 148 BPM | ||
| Jopo Kali Bhojo Kali | Parikshit Bala | E Minor | 8 | 9A | 175 BPM |