"The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14a: Canon per Augmentationem in contrario motu" by Johann Sebastian Bach, Eugene Drucker, David Finckel had its release date on January 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14a: Canon per Augmentationem in contrario motu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14a: Canon per Augmentationem in contrario motu by Johann Sebastian Bach, Eugene Drucker, David Finckel is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Musical Offering, BWV 1079: Canon a 4 | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 1 | 5A | 81 BPM | ||
| Sonata No.1 for Violin and Piano in A Minor, Op. 105: II. Allegretto | Robert Schumann, Gidon Kremer, Martha Argerich | F Major | 0 | 7B | 104 BPM | ||
| Punctum | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 130 BPM | ||
| Cello concerto in D major, K. 285 d: II. Adagio | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | F♯ Minor | 0 | 11A | 172 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb/1: I. Moderato | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | C Major | 1 | 8B | 131 BPM | ||
| Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | A Minor | 3 | 8A | 85 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | ||
| Musical Offering, BWV 1079: Canon a 2 Quaerendo invenietis: II | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | G Minor | 0 | 6A | 76 BPM | ||
| Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Emanuel Ax, Yo-Yo Ma & The Silk Road Ensemble | E♭ Major | 1 | 5B | 147 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: III. Allegretto | Franz Schubert, Mischa Maisky, Daria Hovora | A Major | 1 | 11B | 108 BPM | ||
| Sonata in G Minor, Kk. 4: Allegro | Domenico Scarlatti, Claire Huangci | D Major | 1 | 10B | 95 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 4 in C sharp minor, BWV 849 | Luc Beauséjour | C Minor | 3 | 5A | 103 BPM | ||
| String Sextet No. 1 in B-Flat Major, Op. 18: III. Scherzo. Allegro molto | Johannes Brahms, Jaime Laredo, Michael Tree, Isaac Stern, Cho-Liang Lin, Sharon Robinson, Yo-Yo Ma | F Major | 2 | 7B | 105 BPM | ||
| Concerto for Viola d'amore, Lute and Orchestra, RV 540: II. Largo | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 0 | 12B | 87 BPM | ||
| Flute Concerto in D Minor, Wq. 22: I. Allegro (Arr. for Oboe and Orchestra) | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | B Minor | 0 | 10A | 107 BPM | ||
| Cello Concerto in C Major, G. 573: II. Largo cantabile | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 2 | 6B | 117 BPM | ||
| Italian Concerto in F Major, BWV 971: I. Allegro | Glenn Gould | F Major | 5 | 7B | 105 BPM | ||
| Toccata capricciosa, Op. 36 | Miklós Rózsa, Mark Kosower | C Major | 1 | 8B | 87 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": IV. Finale. Vivace assai | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
| Verdi: String Quartet in E Minor: III. Prestissimo | Giuseppe Verdi, Quartetto Noûs | G Major | 1 | 9B | 120 BPM | ||
| Concerto Grosso in D Minor, Op. 3, No. 4: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 4 | 7A | 105 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.23 in B major BWV892 | Daniel Barenboim | G Minor | 5 | 6A | 129 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 3 in C sharp major, BWV 848 | Luc Beauséjour | C Major | 5 | 8B | 125 BPM | ||
| Monn: Cello Concerto in G Minor: I. Allegro | Georg Matthias Monn, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli, Valda Aveling | G Minor | 1 | 6A | 120 BPM | ||
| Kraft : Sonata No.1 in B flat major : II Adagio | Anton Kraft, Jörg Baumann | F Major | 0 | 7B | 88 BPM |