- BPM
- 87
- Key
- C Major
- Camelot
- 8B
Toccata capricciosa, Op. 36 by Miklós Rózsa, Mark Kosower Song Details
Miklós Rózsa, Mark Kosower's 'Toccata capricciosa, Op. 36' had a release date set for July 29, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 12 in Cello Recital: Kosower, Mark - Bartok, B. / Dohnanyi, E. / Kodaly, Z. / Liszt, F. / (Hungarian Music for Cello and Piano) by Mark Kosower. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Toccata capricciosa, Op. 36 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Toccata capricciosa, Op. 36 by Miklós Rózsa, Mark Kosower is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -25.48 dB
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 6%
- Instrumentalness
- 86%
- Liveness
- 13%
- Loudness
- 58%
- Speechiness
- 6%
- Valence
- 21%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schwanengesang, D. 957: No. 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller) | Franz Schubert, Martin Zeller, Giorgio Paronuzzi, Víctor Luna Castillo | D Major | 0 | 10B | 109 BPM | |
 | Recognition | Miklós Rózsa | A♭ Major | 2 | 4B | 91 BPM | |
 | Zigeunerweisen - Instrumental | Mike Marshall, Edgar Meyer, Béla Fleck | D Minor | 1 | 7A | 68 BPM | |
 | Rêverie: Reverie | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Minor | 2 | 8A | 83 BPM | |
 | Sonata in E-flat, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Richard Goode, Michael Tree | E♭ Major | 0 | 5B | 77 BPM | |
 | Lasst mich allein, Op. 82 No. 1, B. 157/1 (Orch. Leopold) | Antonín Dvořák, Mahler Chamber Orchestra, Daniel Harding | A Major | 2 | 11B | 130 BPM | |
 | Duo Concertant, K054: IV. Gigue | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | A♭ Major | 2 | 4B | 96 BPM | |
 | Sonata Appassionata | Jayda Leysath, Yaroslav Medvedev-Taraldset | G Minor | 4 | 6A | 120 BPM | |
 | String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | |
 | Serse, HWV 40: Aria. Ombra mai fu "Largo" (arr. A. Wilhelmj for Violin & Piano) | George Frideric Handel, Livia Sohn, Benjamin Loeb | C Minor | 2 | 5A | 123 BPM | |
 | Tchaikovsky: Valse sentimentale | Pyotr Ilyich Tchaikovsky, Marc André , Véronique Teruel | F Major | 0 | 7B | 89 BPM | |
 | Composizioni per Organo e Cembalo: Capriccio cromatico | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | |
 | Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | F Major | 0 | 7B | 89 BPM | |
 | Cavern - Quintet for Bass Recorder and String Quartet: II. Tranquillo | Lachlan Skipworth, Genevieve Lacey, Australian String Quartet | F Minor | 1 | 4A | 129 BPM | |
 | Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | |
 | Shostakovich: String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Borodin Quartet | A Minor | 0 | 8A | 86 BPM | |
 | Me and 4 Ponys: I. Mechanical | Laurence Osborn, 12 Ensemble, Siwan Rhys | F Major | 0 | 7B | 89 BPM | |
 | Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | |
 | Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | |
 | Rhapsody In D Minor, Op. 3 | Tony Cicoria | D♭ Minor | 7 | 12A | 124 BPM | |
 | Fantasia in G Minor, Z.734 | Henry Purcell, Trio Sypniewski | F Major | 0 | 7B | 89 BPM | |
 | Suite No. 1: Prelude | Suren Bagratuni | G Major | 3 | 9B | 109 BPM | |
 | String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | F Major | 0 | 7B | 89 BPM | |
 | Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | F Major | 0 | 7B | 89 BPM | |
 | Suite for Solo Cello: I. Prelude - Fantasia | Gaspar Cassadó, Santiago Cañón-Valencia | G Major | 1 | 9B | 89 BPM |
- ISRC
- HKI190815212
- Label
- L-M Records/RCA Records