Piano Quintet No. 2 "Transience Patterns": I. Prelude by Jim Aitchison, Roderick Chadwick, Kreutzer Quartet Song Details

"Piano Quintet No. 2 "Transience Patterns": I. Prelude" by Jim Aitchison, Roderick Chadwick, Kreutzer Quartet had its release date on February 20, 2026. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jim Aitchison, Roderick Chadwick, Kreutzer Quartet's "Jim Aitchison: Piano Quintets" album is number 4 out of 8. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Piano Quintet No. 2 "Transience Patterns": I. Prelude is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Piano Quintet No. 2 "Transience Patterns": I. Prelude by Jim Aitchison, Roderick Chadwick, Kreutzer Quartet to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -40.69 dB
Acousticness: 88%
Danceability: 8%
Energy: 0%
Instrumentalness: 0%
Liveness: 7%
Loudness: 32%
Speechiness: 4%
Valence: 4%

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