"Camargo" by Guillaume Ferran had its release date on June 13, 2025. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Camargo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Escort Boys (Original Series Soundtrack) Season 2 by Guillaume Ferran. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Camargo is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Camargo by Guillaume Ferran is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reading Jane's Letter | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| 9C+ (Caillasses) | Guillaume Ferran | D Minor | 5 | 7A | 129 BPM | ||
| The Ghorman Waltz | Nicholas Britell | E Major | 1 | 12B | 127 BPM | ||
| The Waves | Gabríel Ólafs | B♭ Major | 1 | 6B | 83 BPM | ||
| The Stage Is Set | David Buckley | F Minor | 4 | 4A | 74 BPM | ||
| Spring Waltz | Carlos Hof, Budapest Philharmonic Orchestra, Joan Martorell | C Minor | 2 | 5A | 76 BPM | ||
| Túndra | Gabríel Ólafs | E♭ Major | 0 | 5B | 100 BPM | ||
| Raindrop Becoming an Ocean | Bear McCreary | F Minor | 1 | 4A | 139 BPM | ||
| Arida Sicilia | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Reports from Godmersham | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| You Have to Let Go | Anne Nikitin, Zolani Mahola | D Minor | 5 | 7A | 125 BPM | ||
| Il tormento di Tancredi | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Secrets To The Sea | Sophie Hutchings | B Minor | 0 | 10A | 100 BPM | ||
| Julius Meets Henry | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Mara | Lorenzo Esposito Fornasari, Lisa Gerrard, Erica Piccotti | D Minor | 3 | 7A | 80 BPM | ||
| Love like an Ocean | Austin Fray, Hannah Delynn | A Major | 2 | 11B | 77 BPM | ||
| Chiaroscuro | Claudio Constantini | C Minor | 2 | 5A | 105 BPM | ||
| Last Spring | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| Yellow Dress | Dominik Scherrer | D Minor | 1 | 7A | 156 BPM | ||
| Les affluents | Guillaume Ferran | F Minor | 2 | 4A | 81 BPM | ||
| To the Wilder (Instrumental) | Woodkid | A Minor | 5 | 8A | 85 BPM | ||
| What Remains of Us | Andrei Irimia | D Minor | 2 | 7A | 129 BPM | ||
| Ulysse dans la vallée | René Aubry | E Minor | 2 | 9A | 80 BPM | ||
| Salted | Chris Roe | F♯ Minor | 2 | 11A | 101 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM |