Benjamin Soames, Northern Chamber Orchestra, David Timson, Jonathan Keeble, Igor Stravinsky's ' "Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: VIII. Valse" was released on its scheduled release date, January 19, 1999. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Stravinsky: The Soldier' S Tale/ Dumbarton Oaks". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: VIII. Valse's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: VIII. Valse by Benjamin Soames, Northern Chamber Orchestra, David Timson, Jonathan Keeble, Igor Stravinsky having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lesson 9b | Kieran Ball | B♭ Minor | 0 | 3A | 89 BPM | ||
| Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: III. Airs By A Stream | Benjamin Soames, Northern Chamber Orchestra, David Timson, Jonathan Keeble, Igor Stravinsky | G Minor | 3 | 6A | 120 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Symphony No. 1, GMW 11: IVc. Wieder wie zu Anfang. Stürmisch bewegt | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| D'Indy : Symphonie sur un chant montagnard, 'Cévenole' Op.25 : II Assez modéré, mais sans lenteur | Vincent d'Indy, Marek Janowski, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 56 BPM | ||
| Kapitel 3.4 - Geschichten vom Franz | Geschichten vom Franz, Christine Nöstlinger | A♭ Major | 2 | 4B | 75 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Gustav II Adolf, Op. 49: VI. Breitenfeld - Bataljmålning (Breitenfeld - Battle Painting) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | F Minor | 0 | 4A | 70 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Humoreske | Alexander von Zemlinsky, Atéa Quintet | B♭ Major | 0 | 6B | 84 BPM | ||
| Sonata for Cello and Piano: II. Allegretto | Henriëtte Bosmans, Mayke Rademakers, Matthijs Verschoor | G Major | 1 | 9B | 105 BPM | ||
| Marche | The Royal Wind Music | E♭ Minor | 0 | 2A | 142 BPM | ||
| 7 Haikus: VII. Allegro | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | C Minor | 1 | 5A | 104 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | F Minor | 0 | 4A | 70 BPM | ||
| Kapitel 2.2 - Geschichten vom Franz | Ohrwürmchen, Christine Nöstlinger | G Major | 3 | 9B | 170 BPM | ||
| The Sonnets*: Sonnet 42: That thou hast her it is not all my grief | Bertie Carvel, Gunnar Cauthery, Stella Gonet, Alex Jennings, Jonathan Keeble, Anton Lesser, Roy McMillan, Tom Mison, Maxine Peake, Anne-Marie Piazza, Hugh Ross, Benjamin Soames, Juliet Stevenson, David Tennant, David Timson, Trevor White | D♭ Minor | 2 | 12A | 111 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Carnival of the Animals, R. 125: V. The Elephant - Ogden Nash Poem | Camille Saint-Saëns, Gina Alice, Burak Marlali, Andris Nelsons, Jimmy Fallon | E♭ Major | 0 | 5B | 88 BPM | ||
| Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 135 BPM | ||
| Adams: Nixon in China: Act II, Scene 1 - "Look Down at the Earth," | John Adams, Edo de Waart, Orchestra of St. Luke's | C Major | 0 | 8B | 170 BPM | ||
| Clarinet Sonata in G Major, Op. 5: III. Allegretto grazioso – Vivace | Gustav Uwe Jenner, Jean Johnson, Steven Osborne | F Minor | 0 | 4A | 70 BPM | ||
| Kapitel 5.1 | Francis Durbridge, Horst Tappert, Karl John, Rosemarie Fendel, Hans Cossy, Juergen Goslar | F Minor | 2 | 4A | 146 BPM |