"Enlightenment: Prelude" by Max Surla had its release date on May 30, 2001. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Steven Shapiro, Benjamin Goldberg, Max Surla's "Micro-Score" album is number 13 out of 16. The popularity of Enlightenment: Prelude is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Enlightenment: Prelude by Max Surla to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mas En Serio | Inspire | B Major | 4 | 1B | 85 BPM | ||
| Shifting Shadows | Max Surla | D♭ Major | 4 | 3B | 96 BPM | ||
| Frayed Edges | Max Surla | G Major | 7 | 9B | 71 BPM | ||
| Subterfuge | Avery Alexander | G Minor | 1 | 6A | 89 BPM | ||
| Mannerites | Mark Morgan | D Major | 2 | 10B | 70 BPM | ||
| Neo Industrialist | Dynamedion | A♭ Major | 5 | 4B | 115 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| Cyanide Systems Offline | Jason Graves, EA Games Soundtrack | D♭ Major | 5 | 3B | 60 BPM | ||
| Void | Gracy Westwood, Grace Westwood | D♭ Major | 1 | 3B | 90 BPM | ||
| Secret Chamber | Midnight Syndicate | F Major | 2 | 7B | 52 BPM | ||
| Dead End | Max Surla | G Major | 4 | 9B | 118 BPM | ||
| Gauntlet | Steve Jablonsky, Jacob Shea | D♭ Major | 2 | 3B | 120 BPM | ||
| Let's Just Get Out of Here | Mike Zarin, Tony Hajjar | B Minor | 9 | 10A | 140 BPM | ||
| Battle with the Stygian | Mike Reagan | D♭ Major | 3 | 3B | 112 BPM | ||
| The Destroyer | Re-Logic | F♯ Major | 4 | 2B | 110 BPM | ||
| Futuros No Muy Ciertos | Non Binary, Sergio Gómez Oliveros, Bellum Sanctus | E Minor | 5 | 9A | 105 BPM | ||
| Trinity's Plan | Bobby Tahouri | F Major | 2 | 7B | 69 BPM | ||
| Combat & Extras: Combat - High Intensity - Engagement - Section 4 | Erasmus Talbot | G Minor | 6 | 6A | 145 BPM | ||
| Obvious | Erakil Leumann, Erakil Lee | B♭ Minor | 2 | 3A | 95 BPM | ||
| Mystical Landscapes | Olivier Deriviere | D Major | 1 | 10B | 120 BPM | ||
| Revelations | Bobby Tahouri | A♭ Major | 3 | 4B | 118 BPM | ||
| Nulla si distrugge | Non Binary | D♭ Major | 2 | 3B | 123 BPM | ||
| Inside the Fortress | MAB Music TTRPG | C Minor | 4 | 5A | 120 BPM | ||
| Jungle Preparation I | Hyperduck Soundworks | F Major | 5 | 7B | 90 BPM | ||
| Kings Will Rule | The Inspire | D♭ Major | 7 | 3B | 120 BPM |