Erik Satie, Klara Kormendi's ' "6 Pieces: Desespoir agreable. Calme" was released on its scheduled release date, March 15, 1990. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Satie: Piano Works (Selection)". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 6 Pieces: Desespoir agreable. Calme is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 6 Pieces: Desespoir agreable. Calme by Erik Satie, Klara Kormendi having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gnossiennes 4-6 (1889-1897): No. 4 | Arts Music Recording, Marnix Brongers And Peter Arts, Håkon Austbø, Erik Satie | A Minor | 0 | 8A | 77 BPM | ||
| Clara Schumann, Nocturne Op.6 No.2 | Angela Boutros | F♯ Major | 0 | 2B | 134 BPM | ||
| Nana | Manuel de Falla, Remy Van Kesteren | A Minor | 0 | 8A | 94 BPM | ||
| Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
| Prélude in E minor, Op. 28, No. 4 | Frédéric Chopin, Janusz Olejniczak | E Minor | 0 | 9A | 63 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | ||
| 5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Gymnopédie (From the World of Eugène Atget) | Jeremy Cullen | E Minor | 0 | 9A | 76 BPM | ||
| Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
| 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
| Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 88 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
| Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | ||
| 3 Gymnopédies: No. 1, Lent et douloureux (Orch. C. Debussy) | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | G Major | 0 | 9B | 136 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| 3 Sarabandes (1887): No. 1 | Arts Music Recording, Marnix Brongers And Peter Arts, Erik Satie, Håkon Austbø | D♭ Major | 0 | 3B | 72 BPM |